This afternoon, things went well. “And So It Goes” (got the title wrong before) sets really nicely for an adagio dance trapeze piece. I roped Denis into doing some acro for the opening, though it was awkward because our portable crash mat is mas squishy — not particularly stable.
The performance piece was very much a work in progress. I forgot to do a couple of things I meant to do, which meant there was more improv than I intended, but the improv resulted in some nice moments, so I really can’t complain.
Our friendly photog, Kevin, shot pictures, and I’m very much looking forward to seeing them. After I finished, essentially everyone wandered up to em and said, “I wish I had your back flexibility.”
I am learning to basically just say, “Thanks!” without launching into a long and boring explanation of how one achieves that kind of thing.
Secretly, inside, I’m like, “BALLET, Y’ALLS.”
Well, okay, ballet and genetics.
But mostly ballet: ballet will make the most of whatever genetics you’ve got. The secret isn’t so much flexibility — it’s strength. Nothing teaches you to use your back like ballet. If you want to be able to draw your body up into an arc while dangling from one knee, do a billion arabesques (but they have to be good ones).
Anyway, after I did my thing on the trapeze, we also got to play on the lyra and do some crowd-pleasing acro. We had extra time because we all kept forgetting that we had 10-minute time slots 😛
That’s it for tonight. I’m itching to see the pictures, but also completely exhausted.
Posted on 2016/09/24, in acro-balancing, aerials, balllet, cirque, lyra, performances, trapeze and tagged ballet all the things, how to make your back awesome (do arabesques), NuLu Fest 2016. Bookmark the permalink. Leave a comment.