40 More Seconds
After a rough start (I think the weather made us all boisterous), we sketched in 40 more seconds of choreography tonight.
I spent much(1) of the rehearsal standing around in 1st arabesque à terre while we worked two different bits in which I, standing there as such, am the still point.
- The rest of the time was petite allegro, running, more petite allegro, more running, even more petite allegro, demonstrating grand assemblée en tournant, even more petite allegro, and two full runs of all three minutes and ten seconds of the dance. Holy cats, do I need to locate my jump rope. Yea verily, my cardio sucketh.
I think the effect is going to be pretty neat. Following a section with much bourrée-ing, I chassé through and hold the 1st a-à-t whilst eight of the girls 2nd a-à-t, then collect back to a fondu-soutenu-y thing before leaping and flocking away to do pretty things stage right.
Immediately after the first flock departs, the other four girls envelop me (still bravely holding my position) into their flock, and then we do pretty things stage left.
The experience of dancing this bit of my part is rather like getting off of one train, watching as it sails away, then getting drawn into a second train amongst your fellow commuters.
Assuming, of course, that one is in the habit of arabesque-ing on the train platforms (regarding which I think I’d better exercise my right to the fifth amendment).

This was from our second rehearsal, not to mention a different part of the dance, but I really like this moment. Ironically, I’m invisible in this screenshot, except for my hands, which are in dead-bird mode.
One of the things I quite like about this piece is that it is not always the girls leading me or vice-versa. Sometimes they lead me; occasionally I lead them. At other points, I’m just part of the stream. (Evidently of commuters. On the bourré train.)
I’m curious about where we’re going next, as we’ve reached another partnering bit that is, per BG, sort of a little hommage to Apollo. For me, tonight finished on a total cliffhanger as I couru-ed my butt to downstage right and finished in this lovely lunge with arms extended à côté.
Evidently the girls are going to make use of my arms, and I’m burning with curiosity as to what, exactly, that means.
At any rate, I just hope they put them back when they’re done, because I am definitely going to need them, if only to shove food and so forth into my face after the performance, as one does.
Anyway, it’s past my bedtime. I’m taking a rest/cleaning day tomorrow, since both Wednesday and Thursday promise to be long days.
Posted on 2017/02/28, in balllet, performances, rehearsals and tagged anticipation, ballet rehearsal, get on the bourré train. Bookmark the permalink. Leave a comment.
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