Onward and Upward

Thing the First: I’ve submitted my contract for next season with Actual Ballet Company. It’s going to be interesting, as it looks like the roster is changing quite a bit. I’m not sure how many boys we’ve got for next season.

Thing the Second: last week I had a very nasty surprise cold. It completely knocked me flat for several days, but I seem to be better now. Yay?

Thing the Third: I’ve begun work on my piece for PlayThink and my solo piece for GFD. My friend DS kindly agreed to be my partner for the PlayThink show, since I apparently traumatized Denis by making him improvise last year and he doesn’t want to do it this year 😀

I’m actually quite happy to be working with DS, because she’s a fabulous dancer and, more importantly, loves performing as much as I do.

She also is totally fearless about partnering and she taught me a new lift yesterday:

Screenshot_2019-05-15-18-01-20~2.png

It’s possible that my arm (the one you can see) is supposed to go over her leg, though.

Just in case you’re wondering, I don’t always partner in a mask. There’s a reason I’m wearing the mask, but IT’S A SECRET so you’re just going to have to cope. Time reveals all, or at least mostly all.

I don’t actually know what this lift is called. It’s kind of an over-the-shoulder-whirly lift, but I’m sure that’s not its actual name.

It worked the first time we tried it, after which DS said to me, “You’re really strong!” That was a lovely surprise, as I’ve been sadly neglecting core and upper body work for a while (though I’m back to working on it now). I think part of it is that I’ve just had really excellent teachers when it comes to lifting things, especially people. The whole “lift with your legs” thing comes in really handy, especially when your legs are used to launching 160 pounds of strapping lad[1] into the air about a million times a day.

I’m also becoming, well, less bad at partnering promenades in passé, though I still think I look stupid[2] doing them. OTOH, I have almost a month to improve them.

I had some thoughts on technique that I wanted to drop in here, but they’ve apparently evaporated out of my brain, so I’m going to call it a day.

Notes

  1. I am trying to accept the fact that “strapping” is pretty much the adjective that best describes my build at this point.
  2. One might argue that as long as my partner doesn’t look stupid, I’m more or less getting the job done.

About asher

Me in a nutshell: Standard uptight ballet boy. Trapeze junkie. Half-baked choreographer. Budding researcher. Transit cyclist. Terrible homemaker. Getting along pretty well with bipolar disorder. Fabulous. Married to a very patient man. Bachelor of Science in Psychology (2015). Proto-foodie, but lazy about it. Cat owner ... or, should I say, cat own-ee? ... dog lover. Equestrian.

Posted on 2019/05/16, in #dancerlife, balllet, learning my craft, partnering, partnering, work and tagged , , , . Bookmark the permalink. 2 Comments.

  1. Great News and Congrats on that Actual Ballet Company signing! I have wanted to try –even just part– of my dance class with a mask on. I totally get that it would force me to use my brain to be more aware of what my body is doing. Ciao for now. Be Well. Matt

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