Category Archives: dances with moobs

Dances with Moobs: OMG, You Guys


I have written before about the whole gynecomastia thing and its attendant effects on me as a dancer.

So, until now I have never found a gynecomastia vest that made me 100% comfortable in a tight, fitted shirt.

Well, that may just have changed. I found a bunch of reviews for an option produced by a relatively new company, GC2B, and was so impressed that I bit the bullet and bought one.

They’re made and marketed with transguys in mind, which might be a bonus for a scrawny, fine-boned dude like me whose Moobs are mostly just loose skin leftover from the crazy side-effects of Risperdal and whatever cocktail of anticonvulsants and lithium I was taking at the time.

Regardless, all I can say is OMG OMG OMG! Look, here I am wearing just the new vest under the wicking shirt I wear to ballet class, and the upper half* of me is all Halberg-esque and stuff!

Also, this thing is hella comfortable this far (but I haven’t worn out to class yet).

Also, as you can see, I look very studious in my glasses, which is probably good because I’m busy writing admissions essays.

Anyhow, further reports to follow after this thing makes its class debut.


I had written a long and pithy caption for this, but apparently using WP’s new visual editor to make a quick change to it was a terrible idea and resulted in the whole caption being lost.

*The lower half is still all Nijinsky-like, though.

Ballet Squid Chronicles: Dances with Moobs

I am not the world’s most patient person*.

*Wow! Shocking, IKR?

I doubt I would have been regardless (hello, hyperactivity and short attention span), but the circumstances of my upbringing and much of my life since have taught me that I need to pursue what I want immediately and relentlessly.

The result?

Waiting really freaks me out.

I mean, not short-term waiting. Like, once the appointments are made or the tickets are purchased or whatever, I’m fairly cool. Maybe not as cool as a typical person would be, but cool for me. Like, I can shut the hell up about it and think about other things. Likewise, I’m not terrible at waiting for minor things, or acquisitions of tangible goods (I keep my stuff in the future; that way, I feel like I already have it, and I can relax and save my money to purchase things — and, often, by the time I have enough money to make a material purchase, I’ve decided I don’t really want it anyway).

It’s major, important stuff and skills-acquisition that seem terrifyingly subject to immediacy.

So right now I’m in a spot where waiting for one Big Thing is making me wait for another Big Thing.

I decided last year that I really, finally need to get off my butt and get the surgical correction going on for my gynecomastia. Because, seriously, there are a few ladies in my ballet classes with smaller boobs than mine, and part of me is like, “Yeah, but … you know, ballet, there are lots of girls in ballet with no boobs, so you really shouldn’t freak out so much” while the rest of me is like OMGWTFBBQ 100%


First: that wasn’t the raison d’etre for my decision. Just a keen reminder; a kind of sand-in-the-underpants thing.

Second: Mine are not, you know, the most epic knockers in the room by a longshot, but it’s still awkward, and I still go to class in a gynecomastia vest — which is not, you know, super uncomfy, but seriously, I fantasize about the day I can dance unencumbered by said vest. I still feel awkward, and it still sucks (BTW, this is one of the reasons I’m still wary of getting back on meds: in short, THANKS, RISPERDAL >.<). It's also one more thing to wash at the end of the day, even though I have two vests (I had four, but I'm too slim for two of them now, which means they do nothing, and I'm holding out against buying any more).

Worse, while I actually think hands-on corrections are essential to teaching ballet technique, there is definitely a part of me that freaks out in giant letters every single time my teachers' hands get anywhere near my chest … Or, for that matter, near the little bits of "fluff" that squelch out of the arm-holes of my gynecomastia vest, which somehow manages to be too big in the chest and too small in the shoulders, FFS.

I am seriously thinking about ordering a bigger vest and tailoring the crap out of it, just for ballet, so it will fit my broad-shoulders-and-tapered-torso shape. Only thinking because, let’s face it — I’m not that organized, and while I can do basic sewing-y repairs, I really don’t sew that well.

I found this all more survivable when I wasn’t dancing for a while, and my biggest concern was whether or not I could get away with wearing a t-shirt on the rare occasion that I got a chance to swim. Sure, I would actually swim a heck of a lot more if I could wear just a rash guard or whatever; there are a lot of pools that won’t let you swim with a full-on T-shirt, and your typical rash guard, when wet, turns into a giant billboard proclaiming, “ASK ME ABOUT MY GYNECOMASTIA VEST!” Which, you know, I DO NOT WANT.

But beyond that, before I started dancing again, I didn’t really have to worry about it (bizarrely, it’s never really been a big deal on the bike, even though cycling also involves skin-tight clothes).

It didn’t even freak me out as much when I was doing modern dance in high school — but ballet is probably the most deeply gendered of theatrical dance forms, and as gung-ho as I am about living My Big Queer Androgynous Life much of the rest of the time, in the studio I am just another dude who is supposed to learn mens’ technique and maybe someday do pas-de-deux without dropping anyone.

I would like to not find myself wondering, mid-pirouette, whether my vest is showing. I would like to not find myself constantly and surreptitiously adjusting the blasted thing because it does weird things during barre or adagio. I would like to not watch myself in the mirror while we’re doing little jumps and wonder whether that’s my boobs jiggling or just my shirt. Heck, I’d like to feel as if I can wear a fitted tank top when it’s hot in the studio. That would be really nice. Or a white t-shirt EVER.

Predictably, my health insurance company (which is otherwise pretty great) doesn’t want to cover what they reasonably consider a cosmetic procedure.

No amount of whining, “BUT BALLET, GUYS! COME OOOOOOOOON!” will convince them: clearly, my insurance company is not staffed entirely by compulsive dancers.

Their position is basically:

“Millions of dudes for hundreds of thousands of years have lived full (and also presumably firm, round** :V) lives with gynecomastia throughout human history, and surgery is expensive, risky, and can involve complications.”

**If you can’t laugh at yourself, laugh at other people like you, I guess?

I get it, I really do: this is my choice.

And in fact, while he is demonstrably a leg man (quick aside: Thank Heaven I’m a dancer/cyclist!), it’s a choice even Denis feels weird about: on one hand, he wants me to be happy living in my own skin; on the other hand, he’s simultaneously pissed off that we live in a world where the margins for what’s okay for a given gender are so narrow that I feel like I have to go under the knife and worried that Something Bad Could Happen Because Anaesthesia Is Terrifying.

So at the end of the day it’s my choice, and one we’re paying for out of pocket (Denis is not so stubbornly against the concept as to not be willing to pay for my surgery, which is very sweet of him), so that means waiting until we have saved enough money to feel like we can spend almost $8K on a thing***.

***Yes, part of me just looked at that figure and went, “Holy pas-de-deux, Batman, that’s nearly FOUR THREE (okay, y’all, I really can’t math) YEARS of ballet tuition if I do five classes per week!”)

…All of which means, since our finances have been a little more restricted of late due to some of the vagaries of getting paid when you work in private practice, that I am saving my pennies and waiting.

Which also means that I am taking fewer ballet classes right now**** so I can take more ballet classes with fewer gynecomastia vests later. Which means that there’s a part of my brain that is convinced that I’M FALLING BEHIND!!!



****Yes, this is a very recent decision; and by “decision” I mean, when I told Denis I was going to class on Monday evening, he said, “We need to keep it down to ten classes per month for now.” I made great pains to not throw a fit like the spoiled kindergartner that I am on the inside, and I mostly succeeded.

(Yes, on one level, I’m totally making fun of my own internal histrionics, here. On another level, though, this is exactly how I feel. Exactly. Especially since I managed to make it to class basically twice over winter break, and I am well and keenly aware of how much progress I lost, and that two classes per week with an extra two per month is just barely enough to keep moving forward at a respectable pace.)

Part of me is convinced — since I’m not good at waiting, and we’ve had a couple of small crises in the past two years that have resulted in the surgery being put off — that waiting means This Is Never Going to Happen (for that reason, I’m planning to put down my deposit ASAP, once I finally decide which surgeon I’m using). Part of me is aware that we’ve run into a deadline: I need to get this done, for sanity’s sake, before I go off to graduate school. I really want to get it done this summer, before Burning Man, so I’ll be fully healed and recovered throughout fall and winter and can go be awesome at Sun King next summer.

Part of me is really ticked off that my “four to five classes per week” plan has to stay on hold until the end of the semester (when, presumably, I can contribute a little more to the household income stream and thus pay for my extra classes without endangering the growth of the pool of funds being saved for surgery).

Part of me is aware that this is First World Problems All Over the Place.

Part of me keeps saying, “Okay, but it’s only ’til May.

Part of me admits I have absolutely no idea what kind of gainful work I’m going to find that will allow for our travel plans (because Burning Man choreography project!).

Part of me just thinks that this is really all too much to think about in the first place.

So there you have it. Possibly the most stream-of-consciousness post I’ve ever composed: Dances with Moobs.

FWIW, this post has reminded me that I intend to write more about the interesting nexus of gender and ballet, because it’s something I think about fairly frequently and it’s also something that Denis and I chat about over dinner on a regular basis (and, of course, anything we chat about must inherently be so fascinating that the whole world needs to read about it).