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You Don’t Have To Be Pretty – On YA Fiction And Beauty As A Priority

I’m not going to class tonight because stupid injured leg. Instead, I’m indulging in a long-time habit known as Reading The Internet (guys, it is deeply comforting to know that even though I read really fast, the Internet grows even faster, so there will always be stuff to read).

Anyway, one of the articles I’m reading right now is this one, about why it’s so important that the protagonist in Divergent isn’t pretty. I think it’s dead on, and if you have a few minutes, you should check it out. This may actually be my first reblog of in the history of ever, but it’s that important, maybe especially for those of us who are writers.

Anne Thériault's avatarThe Belle Jar

“I’m not trying to be self-deprecating,” I say, “I just don’t get it. I’m younger. I’m not pretty. I –”

He laughs, a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple.

“Don’t pretend,” I say breathily. “You know I’m not. I’m not ugly, but I am certainly not pretty.”

“Fine. You’re not pretty. So?” He kisses my cheek. “I like how you look. You’re deadly smart. You’re brave. And even though you found out about Marcus …” His voice softens. “You aren’t giving me that look. Like I’m a kicked puppy or something.”

“Well,” I say. “You’re not.”

Veronica Roth, Divergent

This handful of sentences, spoken by Divergent‘s protagonists Tris and Four, might be some of the most revolutionary words ever written in a young adult novel. In fact, they’re pretty incredible no matter what the genre…

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The First Charm

Some years ago, my erstwhile love,
I came a child into your arms–
and soon you cast me out again
from the small circle of your charms:
And like the child I was, I wept,
And cursed the sun and mocked the stars,
Until the well had well run dry
And where I thought I would find scars
Instead, I found solace and strength,
My erstwhile, oft-forgotten love:
And I could walk the breadth and length
Of all the world and never prove
Myself as you, in callow spite,
Did prove my mettle, will, and might.

Long years ago, my erstwhile love,
I came a child into your arms
And I have cast you out again:
What strengthens never truly harms.

09 February, 2015

(Post-Script:  I don’t post poems too often.   Feels a little weird.)

I Am A Terrible Patient, Or, Perhaps I Should Get Serious About Ballet Conditioning

It turns out I did strain a muscle in my calf.  It was only mildly sore after class yesterday, but was pretty painful by the time the opera ended.  I got Denis to look at it this morning; he was able to diagnosed the problem and suggest a treatment plan.

I don’t have to stop dancing or anything.  I just need to do some physical therapy stuff to get it back up to speed (pointed-toe leg curls and extensions with ankle weights, basically).

I still need to work on my shoulder as well. 

I am a terrible physio patient.   It’s not that I don’t want to do my exercises; it’s that I can’t seem to remember.   I’m also afraid of doing them wrong, so then I don’t want to do them when Denis isn’t home to supervise, but I’m also afraid to do them when he is home because I might be “doin’ it rong*.”  

That’s just silly.  Denis isn’t going to yell at me if I do it wrong; he’ll just correct my technique and move on.

I’ve realized that I probably need to put together a more formal physical conditioning program; maybe join a class or something**.  I’m lucky to have a body that adapts readily to physical challenges, but I’m also asking a lot of it. 
I’ve realized that over the break I lost a lot of strength and also managed to decondition my feet: the strain in my right leg is almost certainly the result of jumping back into a class that my body has deconditioned too much to handle (to be fair, the cold weather probably didn’t help).

I tend to forget that I’m human and that for most of the time I danced as a kid, I was also taking on some really helpful conditioning in the form of gymnastics training; likewise, in high school, even the non-major classes in dance were like two hours each day, with a big chunk devoted to physical conditioning.  I wasn’t just miraculously able to do amazing stuff with my body without injury; I was actively participating in a conditioning program designed to maximize performance while minimizing injury.

I’ve been wary of taking on strength training or whatever because I’m afraid I’ll wind up work my body in ways that are counterproductive for me as a dancer.   I suppose the answer is to maybe make a couple of appointments with a knowledgeable physical trainer who can help me figure out how to get my crap together.  My birthday is coming up, so maybe I’ll mention that to Denis.   Then again, he might even be equipped to help me develop a suitable training program (the knowledge-bases of physiotherapists and physical trainers do overlap to some extent).

In short, a sound physical training program built around the demands of ballet will make me a better dancer and will also reduce the likelihood of injury, which will in turn allow me to keep doing stuff I’m good at (like grand battement, petite allegro, and apparently chaines) and make sure I don’t spend too much time doing one of the things I’m worst at (being a patient).

Notes
*True Story: teh Googs knows me too well o.O  I Googled physical therapy ur doing it rong” in hope of finding a ready-made meme; instead, the first hit was an article from Dance magazine about how dancers land themselves in PT and what physios say we’re doing wrong o.O
**I realized after writing this that “a class” would probably have to be taught by a trainer familiar with the unique demands that ballet makes on the body.  Like, I need to get stronger without reducing range of motion anywhere, and I particularly need to keep from compromising my turnout.

Ballet Squid Chronicles: Chain, Chain, Chain — Chain of Chainee-nees!

OMG you guys!   I did chaînes* and they didn’t suck!  Some were even pretty!  I even finished them with a lovely tomblie thingy and everything!

Woohoo!

Opera today, so we did Essentials.  Class was really, really good.   I am more or less back up to speed on the basic basics.  

Margie threw in some balances a la seconde, and those went very well for me.  I got to releve without difficulty and stayed up.  That was awesome.

General corrections were mostly about keeping it all pulled together, which is awesome, because that’s what I’m working on at a sort of overall level.

I was able to carry over Monday’s correction to my fourth position, so that was cool, too.   Amazingly, I didn’t hose anything up.   It’s nice to be able to work on perfecting things for once 😀

I’m kind of bummed about missing noon class today because Brian is teaching.  Oh well.   This opera is supposed to be really, really good, though.

So there you go.   That’s it for today!

Notes
*For some reason, these have been the bane of my existence for quite a while.  Like, my ENTIRE LIFE.

Ballet Squid Chronicles: Dances with Moobs

I am not the world’s most patient person*.

*Wow! Shocking, IKR?

I doubt I would have been regardless (hello, hyperactivity and short attention span), but the circumstances of my upbringing and much of my life since have taught me that I need to pursue what I want immediately and relentlessly.

The result?

Waiting really freaks me out.

I mean, not short-term waiting. Like, once the appointments are made or the tickets are purchased or whatever, I’m fairly cool. Maybe not as cool as a typical person would be, but cool for me. Like, I can shut the hell up about it and think about other things. Likewise, I’m not terrible at waiting for minor things, or acquisitions of tangible goods (I keep my stuff in the future; that way, I feel like I already have it, and I can relax and save my money to purchase things — and, often, by the time I have enough money to make a material purchase, I’ve decided I don’t really want it anyway).

It’s major, important stuff and skills-acquisition that seem terrifyingly subject to immediacy.

So right now I’m in a spot where waiting for one Big Thing is making me wait for another Big Thing.

I decided last year that I really, finally need to get off my butt and get the surgical correction going on for my gynecomastia. Because, seriously, there are a few ladies in my ballet classes with smaller boobs than mine, and part of me is like, “Yeah, but … you know, ballet, there are lots of girls in ballet with no boobs, so you really shouldn’t freak out so much” while the rest of me is like OMGWTFBBQ 100%

.__.

First: that wasn’t the raison d’etre for my decision. Just a keen reminder; a kind of sand-in-the-underpants thing.

Second: Mine are not, you know, the most epic knockers in the room by a longshot, but it’s still awkward, and I still go to class in a gynecomastia vest — which is not, you know, super uncomfy, but seriously, I fantasize about the day I can dance unencumbered by said vest. I still feel awkward, and it still sucks (BTW, this is one of the reasons I’m still wary of getting back on meds: in short, THANKS, RISPERDAL >.<). It's also one more thing to wash at the end of the day, even though I have two vests (I had four, but I'm too slim for two of them now, which means they do nothing, and I'm holding out against buying any more).

Worse, while I actually think hands-on corrections are essential to teaching ballet technique, there is definitely a part of me that freaks out in giant letters every single time my teachers' hands get anywhere near my chest … Or, for that matter, near the little bits of "fluff" that squelch out of the arm-holes of my gynecomastia vest, which somehow manages to be too big in the chest and too small in the shoulders, FFS.

I am seriously thinking about ordering a bigger vest and tailoring the crap out of it, just for ballet, so it will fit my broad-shoulders-and-tapered-torso shape. Only thinking because, let’s face it — I’m not that organized, and while I can do basic sewing-y repairs, I really don’t sew that well.

I found this all more survivable when I wasn’t dancing for a while, and my biggest concern was whether or not I could get away with wearing a t-shirt on the rare occasion that I got a chance to swim. Sure, I would actually swim a heck of a lot more if I could wear just a rash guard or whatever; there are a lot of pools that won’t let you swim with a full-on T-shirt, and your typical rash guard, when wet, turns into a giant billboard proclaiming, “ASK ME ABOUT MY GYNECOMASTIA VEST!” Which, you know, I DO NOT WANT.

But beyond that, before I started dancing again, I didn’t really have to worry about it (bizarrely, it’s never really been a big deal on the bike, even though cycling also involves skin-tight clothes).

It didn’t even freak me out as much when I was doing modern dance in high school — but ballet is probably the most deeply gendered of theatrical dance forms, and as gung-ho as I am about living My Big Queer Androgynous Life much of the rest of the time, in the studio I am just another dude who is supposed to learn mens’ technique and maybe someday do pas-de-deux without dropping anyone.

I would like to not find myself wondering, mid-pirouette, whether my vest is showing. I would like to not find myself constantly and surreptitiously adjusting the blasted thing because it does weird things during barre or adagio. I would like to not watch myself in the mirror while we’re doing little jumps and wonder whether that’s my boobs jiggling or just my shirt. Heck, I’d like to feel as if I can wear a fitted tank top when it’s hot in the studio. That would be really nice. Or a white t-shirt EVER.

Predictably, my health insurance company (which is otherwise pretty great) doesn’t want to cover what they reasonably consider a cosmetic procedure.

No amount of whining, “BUT BALLET, GUYS! COME OOOOOOOOON!” will convince them: clearly, my insurance company is not staffed entirely by compulsive dancers.

Their position is basically:

“Millions of dudes for hundreds of thousands of years have lived full (and also presumably firm, round** :V) lives with gynecomastia throughout human history, and surgery is expensive, risky, and can involve complications.”

**If you can’t laugh at yourself, laugh at other people like you, I guess?

I get it, I really do: this is my choice.

And in fact, while he is demonstrably a leg man (quick aside: Thank Heaven I’m a dancer/cyclist!), it’s a choice even Denis feels weird about: on one hand, he wants me to be happy living in my own skin; on the other hand, he’s simultaneously pissed off that we live in a world where the margins for what’s okay for a given gender are so narrow that I feel like I have to go under the knife and worried that Something Bad Could Happen Because Anaesthesia Is Terrifying.

So at the end of the day it’s my choice, and one we’re paying for out of pocket (Denis is not so stubbornly against the concept as to not be willing to pay for my surgery, which is very sweet of him), so that means waiting until we have saved enough money to feel like we can spend almost $8K on a thing***.

***Yes, part of me just looked at that figure and went, “Holy pas-de-deux, Batman, that’s nearly FOUR THREE (okay, y’all, I really can’t math) YEARS of ballet tuition if I do five classes per week!”)

…All of which means, since our finances have been a little more restricted of late due to some of the vagaries of getting paid when you work in private practice, that I am saving my pennies and waiting.

Which also means that I am taking fewer ballet classes right now**** so I can take more ballet classes with fewer gynecomastia vests later. Which means that there’s a part of my brain that is convinced that I’M FALLING BEHIND!!!

EVERY MINUTE, EVERY SECOND, EVERY HOUR OF THE DAY! FALLING BEHIND!

NOOOOOOOOO!

****Yes, this is a very recent decision; and by “decision” I mean, when I told Denis I was going to class on Monday evening, he said, “We need to keep it down to ten classes per month for now.” I made great pains to not throw a fit like the spoiled kindergartner that I am on the inside, and I mostly succeeded.

(Yes, on one level, I’m totally making fun of my own internal histrionics, here. On another level, though, this is exactly how I feel. Exactly. Especially since I managed to make it to class basically twice over winter break, and I am well and keenly aware of how much progress I lost, and that two classes per week with an extra two per month is just barely enough to keep moving forward at a respectable pace.)

Part of me is convinced — since I’m not good at waiting, and we’ve had a couple of small crises in the past two years that have resulted in the surgery being put off — that waiting means This Is Never Going to Happen (for that reason, I’m planning to put down my deposit ASAP, once I finally decide which surgeon I’m using). Part of me is aware that we’ve run into a deadline: I need to get this done, for sanity’s sake, before I go off to graduate school. I really want to get it done this summer, before Burning Man, so I’ll be fully healed and recovered throughout fall and winter and can go be awesome at Sun King next summer.

Part of me is really ticked off that my “four to five classes per week” plan has to stay on hold until the end of the semester (when, presumably, I can contribute a little more to the household income stream and thus pay for my extra classes without endangering the growth of the pool of funds being saved for surgery).

Part of me is aware that this is First World Problems All Over the Place.

Part of me keeps saying, “Okay, but it’s only ’til May.

Part of me admits I have absolutely no idea what kind of gainful work I’m going to find that will allow for our travel plans (because Burning Man choreography project!).

Part of me just thinks that this is really all too much to think about in the first place.

So there you have it. Possibly the most stream-of-consciousness post I’ve ever composed: Dances with Moobs.

FWIW, this post has reminded me that I intend to write more about the interesting nexus of gender and ballet, because it’s something I think about fairly frequently and it’s also something that Denis and I chat about over dinner on a regular basis (and, of course, anything we chat about must inherently be so fascinating that the whole world needs to read about it).

In Class

In class on Saturday, as Claire was giving us a combo, four of us were standing in a zig-zag, waiting in various half-baked b-plusses.

Then Claire gave us all the hairy eyeball and said, “Even in class, even when you’re just waiting, you can never sickle or cross your feet. You have to stay on your supporting leg and keep those working toes weightless.”

And we all looked at ourselves and realized we were being lazy and straightened up and flew right.

Until that moment, I had never noticed how slack my rest position was. Lazy, slouching, sickled.

Consider that fixed. I’d like to upgrade my b-plus to an A-plus.

Ballet Squid Chronicles: Weaksauce

So I did class tonight, and I kind of sucked.

That is, I had all kinds of flexibility — full split both ways (like, “Boom!   I’m on the floor!  Whaaaaat?”) ; insane cambre action (I’m all, “I can see me arse from here!”  Okay, not quite, but close enough) — and my core was pretty solid, but everything else was a mess.

I’m all, “Turnout?  Wot?” “Oh, weight transfer, not: wait, transfer…”

And Tawnee is all, “I DID NOT JUST SEE YOU SICKLE THAT FOOT, BOY.”

You know, except she’s a nice ballet teacher, so it wasn’t that harsh.

Well, I should say that everything was terrible except my allegro, both petit et grand.  My glissade be all snapsnap.

Also, I sound like an idiot because I’m really tired.

Anyway, I felt generally pudgy and schlubby and out of shape, but at least I felt like a pudgy, schlubby, out of shape dancer.  So there’s that.

I’ve had enough time off.  Back to Being A Dancer.

That’s it for now.

G’night, everybody.

PS : The Unitard Hides NOTHING. …Nothing, y’all.

This Time of Year

This time of year I tend to get a little frazzled — fall semester is short, and everything seems to be happening at once, and instead of preparing for the long cleansing breath of summer break, we’re preparing for the Frenetic Rush of Holidays (which we do much less frenetically, it would seem, than many, but it’s still more than enough for me!). I’m tired, overtaxed, and irritable because I haven’t been to ballet class in Way Too Long.

So it’s easy to lose sight of those things for which I’m thankful.

So I think I’ll plunk them down here.

First and foremost, the lovely people — both in “Real Life” and on The Innertubes — who make my life so amazing.

Second, ballet, ballet, ballet. I am so freaking ridiculously grateful to live in a town with a good ballet school, one where I can take class until my head explodes, one where our teachers push us and expect us to learn the material and to grow and stretch and challenge ourselves.

Third, school. I am grateful to have the opportunity to go to school and pursue my dreams. Heck, I’m grateful to finally have some freaking idea what I want to do when I “grow up.” I am grateful to my lovely husband for having suggested Dance Movement Therapy, and I guess I’m grateful to Dance Movement Therapy for existing … and I’m grateful for the opportunity to hit up the conference this year, and immerse myself in the world of DMTs, and walk away feeling like, yes, these are my people, who understand people like me.

I’m grateful for my bicycles, and my bike peeps (even though I haven’t been on a real ride in aaaaaages). I’m grateful for the capable body that lets me ride bikes and dance. I’m grateful for the bus system that carries my bikes around on longer trips, making the bike-and-bus intermodal option so practical. I’m grateful that between the bike and the bus I can get to ballet school, no sweat.

I’m grateful for my lovely husband, who has somehow managed to remain sane in the face of my highly-strung, hyperactive, bipolar nature. It’s been a tough year in some ways, and he has been there for me at every turn. And he also looks adorable in tights ^-^

And … well, there are a billion other things. When I’m feeling grateful, I feel immensely grateful, for everything — for all the miraculous beauty of the sky and the power of nature and for the fact that the ocean exists, even though right now I’m too darned far away.

I’m grateful for the unending act of creation that is the process of life; the fact that we are free to create and re-create ourselves over and over; that it is never necessary to stop growing and evolving.

I’m grateful for my cat, who keeps my knees warm when I’m not dancing and uses his vibrating massage feature to keep them comfortable ^-^

And. Yeah. All that other stuff, too. Everything. All kinds of stuff. I’m grateful.

So there you have it; my ridiculous mildly-tipsy stream-of-consciousness I-had-a-really-great-day-today Thanksgiving post.

And thank you, all of you who read my ramblings. You’re great, too. Thank you.

Turn It Out

You guys, remember when I said that Giselle would be really cool reworked as a zombie ballet?

Turns out that our Wilis go out and do the Zombie Walk every year.

…So why aren’t we doing Zombie Giselle already???!!!!111oneoneoneone