Blog Archives

Rep Class Again

Rep/Rehearsal went well tonight. Our piece is coming together. I continue like it. It’s not difficult, but it’s pretty (and I get to show off my floaty jumps and my extensions, so that’s nice too).

We’re adding a second weekly rehearsal session for the next few weeks so we’ll have time to nail down the rest of the dance. It’s something like 4.5 minutes long; we have the first 2 minutes set.

BG counts the music per phrase, which results in some completely wack counts (there’s a phrase that counts out to 7 beats because of some rubato and a caesura; it’s one of those moments in which Vivaldi goes, “HA! You thought this movement was over, BUT IT’S NOT!!! PSYCH!!!”).

Took class beforehand also. It went really, really well. My brain, my arms, and my legs were all working at the same time (will wonders never cease?). Turns were good; petit allegro was fine … even when BG was like “No Big Arms Because This Is Petite Allegro.” Which was basically a correction for me.

We were a big class in a tiny studio, so there were lots of zig-zaggy combinations. I’m down with that. I think they’re good for getting us to STOP FREAKING THINKING SO MUCH (which was basically the theme of tonight’s class). You can’t freak out about OMG LEFT SIDE INCOMING if you’re constantly zig-zagging back and forth between left and right.

Also, BG made everyone do contretemps, and I actually lurve contretemps, so it makes me happy that now everyone knows how to do them. Or, well, everyone who was in class tonight. Not, like, the whole planet.

The weird part is that my left side has suddenly decided to be better at turns and at jumps that have turns in them. No idea why. It just is what it is.

Oh! And today, in killer class, the billion and fifteen chaînés I have done in BW’s class paid off. We used them in a combination, and it just was like, “Oh, chaînésno problem.”

So it was like, “Pas de problème,” and not “Pas de problème.”

…Which is officially the most linguistically arcane and nerdiest pun in the history of my puns.

So apparently I no longer hate chaînés. I am, in fact, forced to admit that I kinda liked the way they felt today.

o_O’

In other news, I am now under obligation to make a video. I was marking a piece of choreography while transporting my giant water jug, my towel, and my notebook across the room, and T decided that I need to shoot some video with the giant water jug.

So I’ll probably sort that this weekend, because the idea sounds hilarious, and so totally typical of me. I am forever doing turns with a towel in my hand or jumps with a water bottle because I start thinking about the choreography and forget that I’m carrying things.

And, of course, should said video actually arise, I shall post it here (and on My Tiny Pathetic Insta Feed).

Rep: In Which I Get My Own Posse

(Sort of.)

First, I didn’t make it to Killer Class this morning.

I’ve been wrestling a nastier-than-usual episode of insomnia, but I’ve been trying not to take sleeping pills because they can screw with my mood. Last night, I was exhausted but just plain couldn’t get to sleep, so I finally took a sleeping pill at 3 AM.

When I woke up at 9, I knew within seconds that neither driving nor riding a bike was a good idea. The sleeping pill I took hadn’t worn off enough. So I went back to sleep and did evening class instead, which was actually pretty nice. I made myself do everything on relevé that could be done on relevé, of course, as penance (and also because that’s what I would have done anyway).

I also applied the note that JMG gave me about balancé back on Sunday. For some reason, I’d fallen into the habit of doing this weird up, down, up movement instead of the canonical down, up, up. JMG pointed out that it’s not necessarily wrong (sometimes choreographers want stuff like that), but it’s an alternative approach. I also think it isn’t really as pretty (and it looks weird when everyone’s doing down, up, up and you’re the only one going up, down, up.

Anyway, my balancés looked nicer tonight than they have in a while.

On to rep. We got into the meat of my part tonight. The girls are divided into three groups by height. BG has nicknamed them “Fun Size,” “Sirens,” and “Amazons,” and in this section I’m partnering the Sirens, and they kind of turn into my posse.

I mean, like, a beautiful, balletic posse, of course. Not the kind with pitchforks and torches.

The choreography isn’t hard, but it’s lovely. I’m happy with that: we don’t have a whole lot of rehearsal time before we show this piece to the universe, so I’m glad that BG has put together a dance that we can do well in the time available, but which still looks like legit ballet.

After rehearsal, I told one of the Sirens that they were really looking good, and she said, “I’m glad we’re dancing with you!”

Apparently, she likes the way I dance. w00t! (It so happens that I like the way she dances, too. We make a good team, which is good, because we’re also both sweaty disaster areas and have totally bonded about that.)

I do feel like I’m getting it back for real. I keep laughing at myself, because I say this Every. Single. Class.

I mean, seriously. Class ends, and I’m like:”It’s not 100% yet, but I feel like it’s coming back!”

Anyway, today the turnouts were doing their job, the arms had their waterfowls in a linear array, and I didn’t fall out of my turns (though I did keep proactively spotting, AGAIN).

Likewise, my jumps are regaining their ballon. Especially the sautés Arabesque in the rep piece—they were light and high, and not as “Heil Hitler-y” as they’ve occasionally been in the past.

Which is good, because I don’t want to give the wrong impression, here 😐

I do have to better work out this one part where I dodge between the Sirens. The spacing can make it challenging—they’re all standing in 4th arabesque à terre as I sort of lightly and gracefully run through the line of them in such a way that I wind up at the head of the line facing them in 2nd arabesque à terre. Or, at least, that’s how it’s supposed to work. We need to work on the blocking so there’s a little more room.

At this point, I’m really looking forward to learning the rest of the dance. I’m having no trouble at all remembering my part, which is good, because I can’t exactly follow anyone.

Anyway, I’m pretty tired, so I’m going to call it a night.