Monthly Archives: July 2014
Aggregated Thoughts
First, it’s Digital Book Day, peoples, so go get your free digital books! Who knows — you might discover a new favorite author.
If you get an “Error establishing a database connection” message, be patient. Some of the categories (mystery and thrillers in particular) seem to be pretty overwhelmed, but once you get a given category to load, you can ctrl-click or right-click > open in new tab/window (or however Mac users do it) and the individual pages for books load fine (they’re on different sites — so far, I’ve downloaded maybe four or five promising titles from Smashwords and two from Amazon).
~
Second, it seems that everybody but me considers the word “twink” to be an insult. Who knew?
Last year, Thomas Rogers contributed a thoughtful article to The Awl about twinks, what the world thinks of them, and what happens after they outgrow their category.
As someone who both self-identifies as a sort of permatwink (or am I a “party ferret?”) and tends to be perceived as such by the world at large, I found Mr. Rogers’ article to be both informative and thought-provoking. I honestly had no idea that basically the entire gay universe assumes that “twink = walking disaster area” is a natural law, but there you have it.
I should say that I self-identify as a kind of permatwink in a way that perhaps doesn’t align neatly with all assumptions about what “twink” means: I am not a slave to fashion. I am not … okay, well, not always … a disaster area. I would say I’m not a party boy, but in fact I do like going to parties and clubs and dancing — but that’s where I draw the line. I am a sort of chaste, mostly-sober party boy, I guess. Yawn?
The thing is, I suspect the same can be said for a lot of us who get sorted into the “twink” slot — perhaps especially those, like me, who wind up there by default, because they are slim and hairless and young or young-looking and playful and like to dance and don’t particularly feel any need to change any of those things. Seriously. I embrace my twinkhood, but it’s not because I’m trying to be a twink. I just am what I am. If the label fits, wear it.
Re-reading bits of Mr. Rogers’ article on twinkhood (yeah, you’re right, it does feel weird to say that) and how maybe we should evolve our assumptions about it (check out Rogers’ list of Important Historical Twinks!), it occurred to me that a lot of the behavior that we attribute to some kind of defect endemic to the twink population is, in fact, simply young-people-trying-stuff-out-and-sometimes-getting-it-wrong behavior.
We sort of expect adolescents and young adults to try on different identities, experiment with different form of self-expression, and basically ride the failboat all the way to Failtopia. Mostly, we kind of roll our collective eyes and say, “Oy vey, I hope they grow out of that.” We assume that they’re doing stupid crap because they’re, you know, young. Basically, we sort of assume they’re inexperienced and still figuring it out.
Meanwhile, when twinks do stupid crap, we evidently assume it’s because they’re, you know, twinks. Basically, we sort of assume that they’re (should I, as a permatwink, say “we’re,” here?) somehow defective human beings who cannot hope to transcend their current mire.
In short, we expect young people to grow out of it. We don’t expect that of twinks … though I don’t know what we do expect of them. Do people expect us to grow into Sad Old Queens? Do Sad Old Queens even exist anymore? If so — beside the discomfort of being Sad — what’s so awful about being Old and a Queen? If there’s one thing the gay male community needs to learn, it’s to honor the elders. Sad Old Queens are, by definition, elders. At least, I think so. I guess it depends on what you mean when you say “Old.”
I’m not going to try to come off all smug and superior here, by the way, like I’m the One Person Who Never Judges The Twinks.
In my experience, while we are eternally the laughing stock of the queer universe, nobody is harder on twinks than twinks. I am as guilty of this as anyone, I guess. I recognize that when I point out that I’m the chaste and mostly sober twink at the party — the one who doesn’t use recreational drugs, keeps a tight grip on his alcohol use, etc. — and that I’m not some trend-worshiping fashion victim, I’m making value judgments.
Likewise, there are other denizens of the Twinkiverse who would decry me as an uptight, elitist, silver-spoon-fed bore.
Covertly, I am basically saying, “Yeah, I’m a twink, but I’m not like those twinks; those guys have problems.” In fact, they probably do, and so do I, and — here’s the rub — my problems make it much more likely that I will not be a terribly productive member of society (fortunately, I’m a twink, so I’m decorative … right?). Other twinks may seem defective, but they tend to go on to be productive human beings. Meanwhile, I’m struggling with a serious mental illness that will make it much harder for me to contribute my share to the world. So, yeah. There’s that.
At the end of the day, though, other guys are still going to sort us all into the “twink” box and make all kinds of assumptions about us that probably aren’t correct (or, well, that probably aren’t exhaustive, and that aren’t correct all the time even when they are exhaustive).
Here’s the thing: I don’t think you’d catch a member of the bear community throwing his fellow bears under the bus like I throw other twinks under the bus and so forth. The bears (and their leaner friends, the otters) possess a sense of community; of fellow-feeling that makes them more forgiving of each-others’ faults (though, being pretty much the opposite of a bear, I have only observed bears from the outside, and thus could be totally wrong here.) They certainly don’t seem to do the whole, “Other bears are like x, y, and z, and I’m totally not like that,” bit — which is, by the way, what I just did to my fellow twinks and meta-twinks and permatwinks and whatever the hell else we are these days.
I suspect that lack of community spirit, of coherence and brotherhood, is one of the reasons so many of us — so many twinks, that is — eventually adopt some other queer identity. It’s not just that “twink” appears to be an age-limited category, but because it’s one that includes no built-in community. Maybe that’s because it’s a category one we’ve basically accepted as pejorative, and one that we assign to others far more readily than we assign it to ourselves.
Seriously, I am the only guy I know personally who embraces the word “twink” as a descriptor relevant to his own identity.
In short, every twink is an island.
So, yeah: I grok that I am part of the problem; that I have on more than one occasion attributed someone else’s idiocy to his twinkhood.
And, like Thomas Rogers, I’m really not sure what twinks evolve into (though “party ferret” sounds pretty fun, I’m not sure that’s what I’d want to put on my CV, if I was forced — bizarrely, because why would this ever, ever happen? — to categorize myself according to my place in the spectrum of queerness).
I’m not even sure why we’re so obsessed with categorizing ourselves. I grasp that a lot of our queer sub-categories operate as a kind of mate-finding shorthand, but what makes us extend those categories to the far edges of our identities? (I say this, mind you, as someone whose memberships in the broader categories of “cyclist” and “dancer” extend all the way to the borders of his selfhood and splash out all over the world around me — so maybe a lot of us just really like categories; I don’t know.) What makes us retain them after our mates are, you know, found? Yeah, “twink who likes older guys” was a convenient label when I was single. Now I’m a twink who’s married to an older guy, so……
Anyway, this is something I intend to think about. Who’s afraid of the big bad twink, and why?
Lastly, because this is now a bajillion times longer than I intended it to be, it’s Tour Time and I am once again basically failing to watch the race. I have decided that I am Cycling’s Leastest Fan (yeah, that’s grammatically incorrect, but it scans better, so there).
I peripherally sort of enjoy the thrills and spills of bike racing, but I am apparently not capable of being committed enough to actually watch races if it involves making effort (if Le Tour is on in, for example, a pub where I’m shoving pizza into my maw, then I’ll watch as if hypnotized; I won’t, however, go dig up a feed on the innertubes).
But, anyway: the Tour is happening, so if you’re into watching it, go watch, and let me know what happens, because I can’t be bothered to find out for myself.
That’s it for now.
Sunny side up, and all that.
Quickie: A Hundred Pounds of Rocks in the Tour (Not So Literally); Ballet Dreams (Literally)
I’m taking a more conservative approach than I have in the past to managing my bipolar disorder.
This means that I haven’t returned to a three-classes-per-week schedule yet, or even a two-classes-per-week schedule. I wanted to go to class last night and did not feel ready, end of story. I need to learn to listen to that voice or reason, even though sometimes it feels like it’s standing between me and my dreams and goals.
I try to tell myself, instead, that it’s like not pushing yourself too hard on the bike when you’re recovering from a serious physical illness (like the last time I had pneumonia, or the time I broke my leg). You have to build back into it with a modicum of caution. Sometimes that means it takes longer to reach your goals than you had hoped.
Dottie (my therapist) and I talked about a similar thing yesterday. I found myself telling her about how frustrating and sometimes disheartening it is when this whole bipolar thing throws me off the rails, and how I sometimes really resent my difficulties instead of really appreciating what I can do; what I am doing. We also talked about how I tend to forget that I am living with a serious mental illness; one that can be really debilitating.
We wound up with this crazy Tour de France analogy: living with this is like riding the Tour de France with a hundred pounds of rocks in your chamois. The Tour isn’t easy for anyone, but it’s really freaking hard when you’re carrying a hundred pounds of rocks (or maybe when you’re the domestique and you have to carry … all … the water bottles?!)…

Here is a high-quality graphical rendering, replete with cheering fan, to help you visualize this concept. (An oldie, but a goodie! You might remember this from last TourMonth July, in fact.)
Riding the Tour with a hundred pounds of rocks doesn’t mean you don’t get there. It does mean maybe you don’t ride all of every stage, or maybe sometimes you don’t ride a given stage at all. It certainly means that you’re probably going to finish each stage long after the crowds have gone home.
It means that, if you’re smart, you might be willing to accept some help — maybe a motor to get you up Mount Ventoux, maybe a partner to carry some of your rocks when you’re really struggling. Maybe an extra book of matches or two.
Maybe, sometimes, you even stop halfway through a stage and climb into the team car.
Maybe you try medication. That’s why they make medication.
In short, carrying a hundred pounds of rocks on the Tour takes a hard job and makes it harder. It makes you reassess your goals. When you’re carrying that load, there’s no way on Earth you’re going to win — not even if you ride the best eBike in the world and hop yourself up on so much EPO and caffeine that your veins stick out like the Alps on a topographical map. Instead, making it to the finish becomes a goal worth achieving — in fact, sometimes, just making it to the end of the day is a victory.
Anyway. I didn’t mean to wax on about that for quite so long. I meant to write about literal ballet dreams.
Lately I dream about ballet all the time — that is, about dancing. Literally, it’s like I’m practicing in my dreams on the days I don’t do class (and, in fact, these dreams often take place on the nights following would-be class days; I should say will-be class days, because I will work back into it). Last night I had a long, long dream entirely devoted to perfecting the very simple combination (demi-petite allegro? ;)) from Margie’s class on Saturday — tombé – pas de bourrée – glissade – assemblé.
It was kind of a dream about mastery, I guess, and about confidence. And also about the fact that my arms are a heck of a lot less awkward than they used to be.
It was, in fact, a pretty cool dream. I love dancing, and my dreams are extremely vivid, so it was like having the opportunity to dance for a long, long time on a day that I didn’t get to dance in my waking life.
It will be interesting to see if the dream in question has, in fact, acted as practice. There’s good evidence supporting the hypothesis that athletes (including, presumably, dancers) are not just exercising their egos (a nebulous concept at best) when they use concentrated visualization, but actually firing the neural circuits they would fire when performing the athletic task in question*.
Anyway, today I’m feeling fairly okay, I think. The challenge is not to tip myself back over into mania. People who do not suffer from bipolar disorder often imagine mania to be a pleasant state, and it can be — but for me, mania is often “black,” characterized by immense irritability, agitation, expolosive rage, near-psychotic paranoia (though I suppose I don’t really talk about this: because it’s only near-psychotic, I know it’s irrational, so I simply try not to give in to it), and a restlessness that prevents the completion of even the simplest tasks.
I know I’m not “better” yet, not quite back on an even keel, because I’m not feeling much need to sleep and I keep forgetting to eat (among other things). But I’m at least close enough to earth orbit to be getting stuff done, and the agitation and anger have passed for the moment. I’m into the kind of hypomania that can be very pleasant (Lots of energy! Reasonably positive mood! The ability to talk about things! Fast but not totally out-of-control streams of thought! Accomplishing lots of tasks! Wild productivity! Not so much total inability to feel the presence of G-d!) as long as I don’t let it get out of hand.
Okay, well. This is now much, much longer than I intended for it to be — but I guess it’s illustrative, nonetheless.
So far, I’m feeling kind of okay about being more open in this blog. Recently I had a long and awesome conversation with another person with bipolar disorder who seems to experience her disorder in much the same ways that I experience mine, and that was very heartening in a totally unexpected kind of way.
If even one other reader stumbles across my ramblings and goes, “Hey, this sounds really familiar. Maybe it’s not just me,” and it helps … well, that would be really awesome, and make it all very worthwhile.
Notes
*Non-athletes do this as well, as far as I know. I believe there have been some studies of this process in musicians. I’ll have to see if I can dig them up.
On Ballet: Saturday Class Notes
I finally figured out what my glissade-assemblé problem is.
For some strange reason, I sometimes throw a change of feet into the middle of my glissade where one is not needed. Then the assemblé assembles in the wrong direction.
This is basically the same thing as putting the right foot in when you should be putting the right foot in in the Hokey-Pokey.
I’m not sure why I do this. When I don’t (and when I can prevent my brain from immediately going, “Did I do it right?!”) it links up to the assemblé rather nicely.
Funny How That Works.
So, yeah. I guess I’ve got the glissade-assemblé sorted.
For now.
Tear the Whole F**king Thing Down
Recently, my friend Robert asked me what I wanted for a username on his Mumble server. I told him, “Mystif,” because that’s a concept that holds a great deal of meaning for me, where I am right now (yeah, I know, I totally sound like a woo-woo hippie, here).
He, being my oldest and bestest friend, gave me some crap about never sticking to one thing and mentioned he’d basically had the same internet identity since forever (which, btw, is and isn’t true — like me, he’s got at least one internet identity that goes back a decade, maybe more, but has also had a bunch of ephemeral ones that served some or another purpose at some or another time.
I should issue a caveat: when I say “internet identity,” I don’t mean “a totally fake persona.” I just mean a different username, handle, whatever you want to call it. Mine always point back to me. I’m pretty transparent about the really relevant facts of my identity. In short, I’m not trying to hide anything or be someone else.
To belabor an analogy, the armature is always the same; it’s just that sometimes the artist hangs different things on the sculpture that highlight different aspects in its nature. And, of course, the artist in question is probably not me, but G-d, and I just change the title of the sculpture accordingly, or whatever.
Robert, of course, was just messing with me about my internet chameleon status. I know that now, and I knew that then, though at the time it actually kind of ticked me off (and I told him as much, and also that I knew being ticked off about it was totally irrational). What I didn’t understand was why it ticked me off; what nerve it struck that garnered that juvenile, “Heeeeeey, stop picking on meeeeee!” response.
Having had some time to reflect, I realize that some of it is that I’m uncomfortable with my own sort of ephemeral nature.
Like most people, at my core, I am basically one thing — an evolving, elaborating thing, but one thing. On the outside, I would hazard that I probably seem very different to different people; so much so that if two people who know me in two different areas of my life described me to one-another, they might come to the conclusion that they knew two different guys with the same name or that I am a giant fake.
I think the former of these conclusions would be closer to the truth. I have lived a very compartmentalized life (I think I’ve written a bit about this, here). I’m not sure how to stop doing that. It’s a coping mechanism that mostly works most of the time.
It doesn’t help that I regularly pass through what I think of as “iconoclastic phases” — periods in which I want to destroy not the cherished icons of the world around me, but my own cherished icons. Phases in which I want to sweep all of the detritus from the table and start over new. Some of them are sane — they represent, I think, the desire of a creative personality for a fresh canvas. Some of them are not sane — they represent the struggles of a brain, mind, and soul with the intricate pulsings of an illness that sometimes makes bad ideas seem like good ones.
Basically, what I mean is that sometimes the phoenix does need to burn in order to be reborn, and sometimes it doesn’t. Right now, the phoenix doesn’t need to burn.
I’m in the midst of one of those phases now. This one is not a sane iconoclastic phase, so I’m trying not to give in to it. A part of me, for reasons I don’t really entirely understand, wants to basically burn my entire internet presence to the ground. Right now, my established history here, in email, and on G+ seems like a sea anchor; like an albatross around my neck.
Part of the problem is that compartmentalization thing. My history here is mostly one of writing about happy bike stuff; happy ballet stuff, with intermittent episodes of writing about religion, about mental illness, about the difficult things in my past, about my struggles with life.
I think maybe writing about that harder stuff is important, and yet part of me feels as if to do so muddies the waters. It’s such a weird way to feel. Then, part of me also feels exposed when I try to do this — the part of me which learned at a very young age that if your vulnerabilities can be detected, they will be exploited in order to cause you harm. That part of me refuses to listen to reason: to understand that things are different now, and that while that’s still a possibility, I am much better at protecting myself than I once was, and that the vast majority of people don’t operate that way*.
So, yeah. I have built this whole thing; this internet presence, I guess. And sometimes, like right now, I want to burn the whole thing down, raze it to a clean slate, start over.
I think instead I’m going to just try to let my history stand, but also let myself write about everything. Particularly, perhaps, about how hard it is sometimes to live inside a brain that insists that you act “normal” and do “normal” things and maintain a “normal” image when you’re dancing on the brink of madness. Which is, by the way, totally me right now.
At the end of the day, perhaps it will help if I remind myself that the difference between kitsch and art is often unflinching honesty — not, as some with imagine, an unrelenting focus on whatever is socially inappropriate, dark, or unpleasant, but rather the willingness and ability to present the whole picture, even when sometimes it’s really hard to say what exactly the whole picture is (hello, Mona Lisa).
I don’t know if I’m supposed to be an artist or whatever. I kind of feel like that’s a word other people use to describe you; “Oh, he does this work, he’s an artist.” Here, I am just a dude writing about ballet and bikes and sometimes about being wacko (and using funny words to deflect the weight and perhaps the vulnerability and pain of saying “mentally ill,” or whatever). I am just doing the work. Later on, people can decide about its value. It just is what it is to me.
I’m not promising a regular series about this, though perhaps I should; perhaps it would be therapeutic, or something, to force myself to write about all this crap, unflinchingly, on a regular basis. The thing is, I am not doing so well with consistency just yet. I’m still working on forcing myself not to live as if I’m under seige, withdrawn in my fortress and depleting my stores, even though there are no enemies at the gate; no invaders waiting to storm across my drawbridge.
Maybe eventually I’ll get there. That’s the best I can do right now in terms of making positive statements about the future. I realize I’m supposed to have faith and so forth, and when I stop to think about it, I do — I just can’t see the path G-d has laid before me right now, so it’s hard for me to say anything with certainty. I’m stumbling around in the dark, and I don’t always remember to reach up and hold my Father’s hand.
I guess that’s it for this post. This is hard, and I’m tired. This is much harder than riding a bike up a big hill or hanging by my hipbones from a trapeze or doing a million fondues in Brienne’s class (which is, come to think of it, probably why I do those things: in my life, those and loving Denis are the easy things).
I’ll try to write more soon, though making that statement kind of fills me with dread, since it’s like making a promise I may or may not be equipped to keep.
Meanwhile, keep the rubber side down, your waterfowls in a linear array, and your eyes on the bacon donuts.
Notes
*To this day, it weirds me out that film and TV writers imagine that screaming in response to a perceived threat is a normal behavior. Is it? Because that sure as heck seems maladaptive to me. If you scream, you reveal your location to the source of the threat. I have never been a screamer. My native response to perceived danger is silence.




