Good Days, Bad Days
Today, we rang bells for the last time this year. For me, it might be the last time for a while, since next year I will be really drilling down on dance stuff.
We played three pieces, all of which were pretty easy for me with the exception of a small bit of very quicbell-juggling — and even that wasn’t difficult, just less easy.
So we rocked right through the prelude piece (one which, I’ll admit, I could ring in my sleep) without a hitch and came off feeling quite good about ourselves, and I expected the same from the communion piece.
And then we began to ring, and I was startled by a wrong note.
…And then I realized that I was the one playing the wrong note (egads!).
…And then I figured, “Oh, hmm, must’ve swung the wrong hand.”
But when next I rang that note — a G — I swung the correct hand (which was, incidentally, also the right hand).
And then a kind of horror broke through me.
I shifted my bells. Rang again.
Grabbed the bell that was still on the table. Rang that.
…And, finally, I just put them all on the table, looked down, and picked them up all over again, in the correct hands.
Needless to say, although my wrong notes somehow managed not to sound too off (my part, in that section, was practically a bagpipe drone), I was flustered. Mortified. Frustrated.
Much the way I felt in class on Saturday, when I dropped in on Essentials because Ms J was teaching and proceeded to dance well enough that my fellow students concluded that I knew what I was doing and that they should just follow me … At which time my brain decided it would be a good plan to start doing the turns on the left side of a very simple combination backwards.
…Thus leading these tender, innocent new dancers into error (seriously, Ms J remarked on that when my group finished).
I knew what was supposed to happen. I even knew how to do the thing that was supposed to happen. I saw the wrong thing happening: and yet, once again, I was forced to watch in horror as my Ballautopilot hosed things up — only, this time, said Ballautopilot generously hosed things up for everyone. (Father forgive me, for I know just what I do, but not how to stop myself doing the wrong thing anyway?)
As such, the lesson of the day for the Essentials class was, “Know the choreography, and the choreography shall set you free. Also, don’t follow that one guy just because he looks like he knows what he’s doing.”
The lesson for me, on the other hand … Eh. I guess, “Sometimes the power steering breaks at the worst time,” or something like that. At least I remained physically committed to my own special variation and made it look good.
My ego is salved (at least where ballet is concerned) by the knowledge that I, too, have in my time been led astray, sometimes by company members who presumably are much better at this stuff than I am :}
But, yeah. Ballautopilot: the struggle is real?
At any rate, it’s good to be dancing again. I shall be doing a great deal of it over the next few weeks in preparation for the Cinci workshop.
So, there you have it. Good and bad days at the same time, sometimes in the very same combination.
PS: After my ignominious defeat by the communion piece, we rang the postlude piece like professionals.
Posted on 2016/05/15, in balllet, choreography, class notes and tagged all the mistakes, bell choir, hey moron - it's en dedans, how can the left hand possibly know what the right hand is doing when it doesn't even know what is doing itself, mistakes and how to make them, off the rails. Bookmark the permalink. 2 Comments.