halp

Saw Giselle last night.

Pros: really good performance, and the hops-en-pointe section didn’t seem random and wtf-y. Which, tbh, sometimes it does.

And as silly as ballet mime feels sometimes (I may have leaned over to my friend L during the second act as Mirtha mimed at Albrecht and whispered, “Make me an omelet, mortal!”), Giselle’s mom in Act 1 flat-out ripped everyone’s heart out with it during the death scene.

Cons: one of my favorite people was the guy in the peasant pas (he was lovely), and between that and the fact that I learned the male variation a couple years back, I was all kinds of paying attention, and now the music is STUCK IN MY HEAD FOREVER.

You guys, I would much rather have Tchaikovsky stuck in my head, for reals. Adam is so … errrrrgghhhh.

It’s that class of ballet music that’s fine as long as there’s a ballet to go with it, but nigh unlistenable on its own. (I should note that the male peasant pas is fairly inoffensive … the first two or three times.)

Also, to be honest, I don’t feel like Adam quite understood the story. Like, seriously, listen to Albrecht’s variation. Then ask yourself whether it sounds like the kind of music that goes with the concept these angry dead ladies are trying to dance this guy to death.

To be honest, it sounds more like, “Jovial wine merchant announces his engagement,” or something.

But we accept it, partly because the choreography is awesome and possibly also because by the time the second act begins many of us have had a drink or two.

Maybe it works better when they play Albrecht as a philandering jerk who just kinda vaguely feels bad about stuff (now that it’s Much Too Late)? Then we’re all on the side of the Wilis, and maybe they think it’s funny.

Though, to be entirely honest, I suspect that Giselle’s BFLF[1], Mirtha, didn’t even think anything was funny even before she became a Wili. Definitely not as she was played last night. There were some seriously fearsome vibes rolling up off the stage.

  1. Best Frenemy Literally Forever

~

In other news, I’m horribly swamped with dancing stuff right now, which I suppose is a good problem to have.

But alas, BW is leaving us for bigger things, so I’m also all kinds of moping about that. I’ll miss him as a ballet mentor, but also as a friend. That said, he won’t be so far away that I can’t go watch him dance once in a while.

I’m glad we have L’Ancien teaching advanced class, but my relationship with him is very different. I had BW entirely to myself for months, and he understands my body better than anyone (better, in fact, than I do) where ballet is concerned.

So until he departs, I plan to make the most of every class with him. I mean, not that I didn’t plan to in the first place. But you know what I mean.

Anyway, it’s late and I’m exhausted, so off to bed with me.

Mr. Merkah demonstrates how I feel right now

About asher

Me in a nutshell: Standard uptight ballet boy. Trapeze junkie. Half-baked choreographer. Budding researcher. Transit cyclist. Terrible homemaker. Getting along pretty well with bipolar disorder. Fabulous. Married to a very patient man. Bachelor of Science in Psychology (2015). Proto-foodie, but lazy about it. Cat owner ... or, should I say, cat own-ee? ... dog lover. Equestrian.

Posted on 2018/04/15, in #dancerlife, balllet, life and tagged , , . Bookmark the permalink. Leave a comment.

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