Author Archives: asher

Ballet Squid Chronicles: Taking It Easy

Ballet is basically the ultimate sport/art for masochists (short, I guess, of the Sun Dance).  Dancers push themselves hard; we push ourselves ’til it hurts, and then, generally speaking, we push a little more, because we figure that’s A) how you grow and B) how you prove yourself.

As such, we dancers can be a bit silly about recovering from injuries.  First, there’s the “No Fun” factor (What do you mean, no jumps?!  But I love jumping!); second, there’s the eternal fear of (GASP!) falling behind.  :::shudder:::

Needless to say, after re-injuring my now nearly three-week-old calf injury last Saturday, I’m taking one for the team.  Sucking it up and cooling it down.

Today, I did class, but I skipped the jumps, the one-foot releves and balances (on the right), and even the little springing sous-sous/echappe exercise that I normally enjoy so much (because it lets me show off, basically).

I’m also working slowly and carefully through just about everything, paying constant attention to whether or not that calf hurts.  It’s not my natural approach to dealing with injury (which is, more or less, to pretend the injury hasn’t happened and continue apace), but, well … I think there might be something to it.

Taking it easy in class is giving my calf time to heal — but it’s also allowing me to focus on really sharpening up my basic technique, and I think that’s an invaluable opportunity.  I’m working on really feeling turnout in all the right muscles (without clenching; I am like the King of Clenching, people, you don’t even know!), really feeling where my weight needs to be, and so forth.  Pretty cool stuff.

The weird part of working through this particular injury is that it has made me very conscious of just how hard the muscles and tendons in my calves are working even when balancing at releve on both feet.  My sous-sous is just not as stable right now as it usually is: my right leg isn’t all the way there.

Also, it was really weird doing barre stretch with no releve on the right foot.  You develop routines; habits (dancers are rather infamous for being creatures of habit anyway).  I had to think about how to get from a la seconde to en face.  The answer?  One very un-balletic shimmy.  Like, work that booty, baby.  But it got me there, so it flies.

I spent the time that everyone else was doing little jumps working my plies.

I do not use my plie sufficiently in jumps anyway: I have way overdeveloped the muscles that let you spring off of your toes, so I under-utilize the rest of my leg when jumping, and that’s how I injured myself in the first place (Ballet peeps!  When your teacher yells HEELS ON THE FLOOR!!! as you saute across the room, that’s why!).

As my calf comes back online, I plan to spend a few weeks really concentrating on getting my heels on the ground and using the bejeezus out of my plie, even if that means smaller jumps for now.  Eventually, it should let me manage even higher, more powerful jumps — which is pretty neat, since I’m already pretty good at high, powerful jumps: but first, I need to retrain my muscle memory and neural wiring so using the plie fully is part of the jumping process.

Going across the floor I worked on ballet walk and then little chasses on the right leg; on the left, I was able to do the saute arabesque-chassee combination.  Switching back and forth every couple of strides made for one heck of an effective coordination exercise; I was able to get my legs to do it, but my arms got hella confused.  I also got off one little cabriole — but just one.

I feel like this means I should probably play with doing different combinations on each leg on a regular basis, to familiarize myself with the process of rapidly flipping back and forth between two different choreographic elements.  Though, now that I think of it in those terms, it feels like it should actually be easier to do than it was.

Anyway, that’s it for now.  Time to go collect a movie and some stuff to throw together for dinner!

 

Wait! Sow Down!

Do you ever just wish everyone on the internet would sit on their hands for a day or so, just so you could catch up?

I am totally having that day right now.  I am way behind on the stuff I normally read (because school, but also because Terrible Funk Precipitated Mostly By Leg Injury), and part of me just wants to be like “OMG YOU GUYS! STAHP!!!”

Which is to say, there’re are lot of thoughts out there worth reading.

I need to catch up.

Wish me luck!

Reflections On Another Birthday

I am a huge believer in birthday celebrations.

Not necessarily in celebrating the increment of another year in age: I have a weird relationship with time, and the significance of age is frankly kind of lost on me (it runs in the family — on my most recent trip home, Mom declared that she doesn’t plan on getting old anytime soon, maybe not ever). I mean, I don’t see anything wrong with that, and it works for a lot of people.

For me, though, it boils down to this: for a long time in my life, I just didn’t think that I was going to make it.  I didn’t expect to make it through high school, and then I didn’t expect to make it through those few harrowing years after, and then I guess a part of me didn’t expect to make it through college, because that feeling runs deep.  But here I am, almost a graduate, a little behind schedule but basically no worse for the wear.

So, basically, at some point, every single birthday became an exercise in thrilling gratitude and wild triumph: Oh my G-d, I made it!

I made it!

I made it.

That my birthday falls in February — the most-unloved month; literally “the month of fevers,” thanks, Numa Pompilius — probably adds some zest to the cake.   There’s no better time for a day of wild gratitude than smack dab in the middle of the greyest, coldest, most miserable month in the Northern Hemisphere (to be fair, I liked February in the Northeast: a month of sparkling snow and soul-clutching cold).

And then it turns out that the word “February” might actually be derived not from “the month of fevers,” but from “the month of purification”  — and that adds a whole extra layer of meaning; a moment of reprieve in the cold, purifying fire of mid-winter depression.

And then this year rolled up, and I found myself less thrilled than usual about the prospect of my upcoming birthday, and that bummed me out.

Only just now I realized: it’s less poignant because this has probably been the first year since I was thirteen that I’ve felt like, Yeah, I think I might make it, barring disasters.

And having realized that — wow.   Just wow.   I should be able to eloquently express how immense that is, but I can’t.  It is literally breathtaking, not least because it happened so casually, like, when I wasn’t even looking.  And that’s a kind of loss, in a way, but Holy G-d, what an amazing loss!

So break out the cymbals and the drums after all: this is still, for me, a magic day.  Still a day on which I can look back and say, I made it — but also one on which, at least for now, I can look ahead and say, I think I’m going to keep on making it.

You Don’t Have To Be Pretty – On YA Fiction And Beauty As A Priority

I’m not going to class tonight because stupid injured leg. Instead, I’m indulging in a long-time habit known as Reading The Internet (guys, it is deeply comforting to know that even though I read really fast, the Internet grows even faster, so there will always be stuff to read).

Anyway, one of the articles I’m reading right now is this one, about why it’s so important that the protagonist in Divergent isn’t pretty. I think it’s dead on, and if you have a few minutes, you should check it out. This may actually be my first reblog of in the history of ever, but it’s that important, maybe especially for those of us who are writers.

Anne Thériault's avatarThe Belle Jar

“I’m not trying to be self-deprecating,” I say, “I just don’t get it. I’m younger. I’m not pretty. I –”

He laughs, a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple.

“Don’t pretend,” I say breathily. “You know I’m not. I’m not ugly, but I am certainly not pretty.”

“Fine. You’re not pretty. So?” He kisses my cheek. “I like how you look. You’re deadly smart. You’re brave. And even though you found out about Marcus …” His voice softens. “You aren’t giving me that look. Like I’m a kicked puppy or something.”

“Well,” I say. “You’re not.”

Veronica Roth, Divergent

This handful of sentences, spoken by Divergent‘s protagonists Tris and Four, might be some of the most revolutionary words ever written in a young adult novel. In fact, they’re pretty incredible no matter what the genre…

View original post 1,182 more words

The First Charm

Some years ago, my erstwhile love,
I came a child into your arms–
and soon you cast me out again
from the small circle of your charms:
And like the child I was, I wept,
And cursed the sun and mocked the stars,
Until the well had well run dry
And where I thought I would find scars
Instead, I found solace and strength,
My erstwhile, oft-forgotten love:
And I could walk the breadth and length
Of all the world and never prove
Myself as you, in callow spite,
Did prove my mettle, will, and might.

Long years ago, my erstwhile love,
I came a child into your arms
And I have cast you out again:
What strengthens never truly harms.

09 February, 2015

(Post-Script:  I don’t post poems too often.   Feels a little weird.)

I Don’t Think This Is Quite What Our Grandmothers Had In Mind

Let me begin by saying I’m a dude who grew up in something as close as possible to a parallel universe: a house full of strong women with a female breadwinner (an executive at a large utility company); divorced parents who got along brilliantly; a father who really saw women as equals, who valued friendships with women (including his ex-wife, my Mom) immensely.  In short, a reality where equality between the sexes was a reality.

I sort-of got that sexism was a thing, and at the same time, I didn’t really see it in action.   I kind of labored under the delusion that sexism was over, or that it only happened in far-away places — other countries, maybe. Or maybe Texas?

I’m sure now (because hindsight is 20/20) that my Mom and my Grammy and my sister experienced it: in fact, we all do. The extent of my exposure, as a kid, came in this sort of vague knowledge that my sister got picked on for being bigger than other kids in a way that boys her size didn’t — and even that, I only figured out in retrospect.

Well, and then there were the weird messages conveyed by TV shows. Oh, and road signage*.

*Seriously, when I was little, I was eternally mad about the fact that the standard “school crossing” sign was a big brother ferrying a little sister across the road — why not the other way ’round? Girls were just as good at ferrying little siblings as boys!

Anyway, we were busy, free-ranging, book-crazed kids, outdoors at least as often as we were indoors — but we did watch some TV.

I remember being annoyed by ads that divided up toys along strict gender lines (who says girls didn’t play with Hot Wheels, or boys with My Little Pony?) and I remember being really, really annoyed by the theme song to James Bond, Jr., which included the line “… As he rescues the girl!”

The part of me that was semi-aware of such things was like, “Hello, this is the 90s, probably ‘the girl’ can take care of herself!” I’m not sure if that was actually a kind of an in-joke and The Girl in question did more rescuing than Mr. Bond Jr., because the show didn’t have any talking animals on it, so I wasn’t interested.

Anyway.   So I was aware of gender issues, but in this very limited kind of way founded on the idea (common to lids in general) that the foundations of my world were just like everyone else’s, and that everyone was equipped with the same set of tools that let my sister and me roll our eyes and call bull when we spotted something obviously sexist.

So basically, grown-up life has been a long series of little shocks in which I’ve realized that, yes, sexism is still a huge thing (and not just in other far-off countries like Texas), and that it’s a big thing, and that it’s a subtler thing than I ever could have guessed. Oh, and that not everyone is equipped to see it or fight it.

For many women, I suspect this is definitely an eye roll moment: “Like, duh, hello?  Of course it’s a thing!”

I’m right there with you: I feel like there’s a lot I should have seen sooner; a lot I still don’t see, probably**.

**Weirdly, ballet is one heck of an effective mirror for male privilege, because dudes are kind of like unicorns in the ballet world, and even a marginally-talented unicorn gets a ton of attention and encouragement (everyone likes to have unicorns around!).  

It amazes me that insecure straight dudes aren’t flocking to ballet class in droves.  Nothing, and I mean nothing, has made me more aware of my own privilege as a male (let alone as an able, conventionally-attractive male) like ballet has.

Like most kids from privileged-yet-socially-liberal backgrounds, I’ve also been raised with the assumption that, as a society, we’re making progress — we’re moving forward; that the general trajectory of the course of history (occasional backpedaling notwithstanding), in relation to human rights, is forward.

In a sense, we are: take, for example, the huge cultural conversation about sexual assault on college campuses***.

***Though, for now, let’s leave out the other side of that coin: the side that asks, “But young people get raped just as much or more in places that aren’t bastions of privilege; where’s the uproar about that?” That’s an incredibly important problem, but it’s also a different post.

Not that long ago — a heartbeat ago, on the scale of history — that conversation couldn’t have happened. The straight male voices that dominated cultural discourse would’ve said, “Ha! This is nothign but a bit of hysteria. You little ladies should get back to your Early Childhood Education studies and leave the big problems to us men.”

Now we can talk about it, an we are talking about it.

And that conversation has been revelatory: particularly, it has revealed how utterly blind a lot of dudes are to their role in the problem. And while a lot of them have predictably been public asshats about it, some have woken up and said, “Holy crap, I am part of this problem.”

Most importantly, though, women have stood up to speak, and are still standing even after some pretty intense efforts at shouting them down, and that’s a fine thing****.

****Never mind that some campuses have responded with bass-ackwards “Don’t go out at night if you don’t want to get assaulted” policies.

Like, seriously, people? THIS IS 2015. We should all know by now that that isn’t how it works.

So we’re making progress there, by fits and starts.

Yet, at the same time, in other ways, it feels like we’re going backwards.

A case study:

A while back, after the bazillionth ad for hair dye or straightener or something during some TV show I want watching, I said something to Denis about how it seemed like everyone always wanted whatever kind of hair they didn’thave, and that I felt lucky that I was happy with mine.

And then I realized, wait — this is sexism in action. It’s capitalism feeding on sexism; on the kind of sexism that makes women feel like they’re never good enough the way they are, no matter what.

This whole snowball is about insecurity: all these ads were aimed at women, and they all began with the assumption that if you were blonde, you should want to be brunette so guys would think you were smart and mysterious or something and want you, and if you were brunette, you should be blonde so guys would think you were vivacious and fun or something and want you, and if you were somewhere in the middle, you should maybe go full ginger, because everyone knows gingers are unpredictable force-of-nature sexy vixens and guys love that.

And I realized that I am more or less satisfied with my hair because I’m a guy,and I don’t have an entire culture and all my friends telling me I should try some other color or maybe get a perm*****.

******Not to say there’s anything wrong with dying your hair: IMO, your body is no less valid a canvas for self-expression than a canvas that you can hang on the wall is. But that’s not why something like 90% of the women at school have the same highlights; the same dye job. That’s culture telling people how to look, which is the antithesis of self-expression. Where I live, in the Northern Southern Eastern Midwest, the idea is to be blonde.

We’ve reached a point now where guys are starting to do this stuff, too: eating disorders in men are on the rise (when I was 13, I was an anomaly as an anorexic dude; not even a blip on the cultural radar; now, the problem is noticeable enough that there have been a few documentaries about it), etc.

In one sense, maybe that’s a good thing: it says that men are at last beginning to be subject to the same market pressures as women, if on a much smaller scale.

Let’s face it, dudes: ladies who are shaped in any way differently than the whatever the culture has deemed correct take way, way more flack than men who are equally divergent. Likewise, while we guys may catch a little more flack when it comes to making career choices that are aimed at giving us more family time (as opposed to more money), women are more than compensated there with an exceptionally heavy load of cultural crap-flinging no matter what they choose.

Here’s the thing: while we’ve upped the market pressures on ourselves, we’ve also upped the pressures on the women. I suspect that “good enough” has never been good enough for women in our culture — but now it kind of looks like maybe even perfect isn’t good enough.

If you’re a fast-track career woman but not Supermom-cum-Wonderwife, it’s not like our culture says, “Ohai, you’re doing great, actually!”

Instead, it’s all, “Yeah, well, Angelina Jolie has a zillion well-adjusted kids and a high-powered career and still finds time to bake all-organic quinoa crisps.”  (Helpfully leaving out that Jolie can afford to pay someone else to do the marketing or watch the kids and can afford to take the rest of her life off if she so chooses.)

Meanwhile, dudes still practically win the Nobel Peace Prize whenever they manage to heat up a frozen pot pie without also burning down the house, because LOLz, cooking for the fam is totally still for chicks******.

******Yeah, I know plenty of amazing, involved family men who would see how this insults both them and the women in their lives — but it’s still a cultural reality, QV every household products ad ever, and this presents problems for everyone. Again, there’s an important thing going on there, but it deserves its own treatment.

So, in short, we’re still a long way from equal, around here. And I’m pretty sure that’s not what our grandmothers and great-grandmothers were after.

What I’ve learned by being a dude, but also a gay dude, is that having privilege is (rather aptly) just like being a fish in water: you have no idea that you’re surrounded by it, buoyed up, floating in it, until you encounter some air-breather that’s caught a toe in some seaweed and is struggling and going, “Holy crap, how can you not see why I’m drowning, here?  This stuff is everywhere!”

And, then, what you do with that information is up to you. You can either help an air-breather out or you can go, “I don’t see what the problem is; I’m breathing just fine.”

Only, like, that analogy can only go so far, because we also make the water, and (after a period of adjustment) we’d be okay without it. Those of us who already hold a fair bit of privilege have a lot to say about which way the culture turns — that is, whether it’s a place that’s harmful to air-breathers, or a place where both air-breathers and those of us who can choose to breathe water or air can both live.

So now I keep an eye out for my own privilege, because it’s up to me to not be that guy.

Yeah, this gets weird and difficult sometimes: like, when I realize that as a boy from the frenetic Northeast, my entire conversational style makes it really hard for a girl from the South or Midwest to get a word in edgewise. But part of being a grown-up and wearing my big-boy trousers is learning how to handle a little discomfort.

I can back myself down, listen more patiently, and so forth. That doesn’t mean, by the way, that girls from the South can’t also adapt to different conversational styles: they can and do, but it’s still my job to meet them in the middle and to figure out what I’m doing wrong.

That’s part of what being equal is about: I don’t get to feel like my way is the only right way. I don’t always have to agree with the way other people do things, but I do have to give them full consideration.

So basically I feel like we’ve got a long way to go — and I think that every inch of progress we make along that way actually makes the world a better place for women and for men.

As for that golden future the Feminists of earlier generations envisioned: I used to think we were already there.

Now I know we’re not.

I also know that while women probably can move ask the mountains to get us there entirely on their own, they flat-out shouldn’t have to.

It’ll be a lot easier for everyone and better if we guys wake up, smell the privilege, roll up our sleeves, and help out (after all, we built those stupid mountains that are in the way).

So, um, I hope this is all okay. When I stated writing this, I thought I knew what I was saying, but it got away from me (like, you know, every blog entry in the history of ever).

Anyway, here I am, and here’s my shovel, and I hope I can help move these mountains, because I’m realling looking forward to dancing together on the other side.

The Wave Rolls In

This morning, I can’t say that I was doing brilliantly well, emotionally speaking.  Although I am still wearing my chipper facing-the-world persona, I’ve been wrestling a depression.

Today’s calf injury, coupled with a message about a bill I apparently forgot to pay, has pretty much capped it off.

The call injury shouldn’t be a big deal, emotionally.  Shouldn’t, but it is.  I can’t explain why because I don’t understand why.   It’s not even like I can’t go to class for the duration; it’s just that I have to back off the pace.

I try to stay upbeat and keep a positive attitude and all that.   Somehow, though, this just feels like a setback I didn’t need.

I could get all emo about this, I guess, but this is about as much as I feel comfortable writing, today.   This is the point at which it starts to feel like whining into the wind.

So that’s that.

Please enjoy this picture of my cat mucking about with some poor, deranged bug that thinks it’s suddenly spring:

image

Ballet Squid Chronicles: More Cabrioles Followed By Argh

Margie’s class was great today, mostly.

Pretty barre.  One long, effortless passé relève balance.  Graceful work at center.  Nice cabrioles.  I got to demonstrate grand jete.

And then, boom.

This bizarre popping sensation in my calf, and once again I was done.   Just like two Mondays ago, my calf would not work.  I could stand, I could walk, I could jump on my left leg, but putting weight on the ball of my right foot was essentially un-doable.  

The protective mechanisms that keep you from destroying yourself had kicked in.   Interesting!

Fortunately, Denis was in class, so once we were really done, I asked him to take a quick look at my calf.

The verdict: no tears or anything, but in the process of compensating for my previous injury, I’d injured something else.

I’ll be doing only barre and maybe adagio  for a week or so.   No jumping; no one-leg relève balances on the right.  No promenades on the right foot.  No cabrioles 😦

Denis is lovely and has bought me some compression socks and a support sleeve thing for the right ankle.  They feel really good.

Anyway, I’ll be back at it soon enough.

In other news, Claire’s secret mission was an audition with another company, and she got the job!

Which is both super exciting and kind of sad.

Ballet Squid Chronicles: Cabriole

I took Margie’s class today, due to the calf thing (which is now almost entirely better).

Good corrections:
1. I’m still throwing my shoulders back in my turns (this was a self-correction that Margie seconded :D)

2.  I flex my shoulders back too much when my arms are in second.

Edit: OMG, you guys, I just totally figured this out!

When I bring my sternum up and forward, I’m throwing my shoulders back, as if they can’t move independently of one-another.

In fact, they can: there is no bony connection whatsoever between the shoulders and the ribcage (creepy, amirite?) — just the cartilaginous one where the sternum and clavicles (collarbones) connect.

So it is, in fact, possible to move the sternum up and forward without moving the shoulders back — basically, if you think about keeping the shoulders down and moving the sternum up and forwards (as if someone has a hook through the front of your shirt!), it’s easier to do this without throwing the shoulders further back and thus hosing up all your turns.

Et voila!

Like,  I go to allongé, basically, as my default second.  This is what felt so different in Brian’s class (he made us do almost the entire barre with arms at second, and he made m  do my second right).

This is another artefact of that benign hypermobile joint thingy.   So having retrained my proprioception in my wrists and elbows, I now need to retrain it in my arms so second feels like second, instead of second allongé feeling like second.  Normal second feels like I’m curled in on myself, but it looks really good and keeps my balance forward.

I came up with an analogy that works for me regarding développée avant from fondu — it’s like you’re using the inside of your heel to hand someone an egg.

If you turn in at all, you drop the egg, so you have to keep rotating the leg as it rises.  For me, this forces a smooth, graceful extension.

I also did cabrioles while we did sauté arabesque, chassée across the floor, because why not?  Margie mentioned it, so I whipped them out.

I didn’t do them on the right (supporting) leg, though — the calf is mostly healed, but I didn’t want to push it.  As I got tired, my sautés on that side turned into sissones.  I got called out on that, too 😉

Margie reminded me that I should be beating the bottom leg and letting the top one sort of rise off of it; did my next set with that in mind, and it worked like magic.

It’s one of those technique things I know but don’t think of.  I tend to do some kind of crazy diagonal soubresaut thing instead.

So there you have it.  Friday class with cabrioles.  I’m looking forward to tomorrow ^-^

Ballet Squid Chronicles: In Which I Inadvertently Take On An Awesome and Frightening Responsibility

So, you guys might remember a while ago — sometime last summer, I think — when I decided to take on the challenge of doing some choreography to some Philip Glass, and then decided that it would be awesome to use this choreography to create a small performance piece for Burning Man that could be built upon and performed by total ballet noobs?

So, um, apparently I failed to realize until yesterday that, in so doing, I basically said to the world, “Give me your ballet noobs, and let me teach them!”

o.O’

So, in essence, this means I’ve taken on the task of teaching some very basic ballet to a random group of people without either A) injuring them, B) ruining any chance they have at developing sound technique, or C) destroying their love of dance forever by overfacing them with things they can’t do.

You know.

No pressure.

Obviously, I’m not going to take a bunch of total beginners and try to teach them double tours (or even single ones) or anything like that — and I’m pretty sure I can put together a basic barre that anyone with appendages can do (I’ll be cribbing it from Margie’s barre). I’m pretty sure I can even impart basic form and placement decently well.

Here’s the thing: I remember my very first ballet classes as a wee kid reasonably well, but by the time I took them, I’d already been doing gymnastics for at least three years (seriously, I was three when I starting taking gymnastics lessons) and pre-ballet for one year. Nothing we did seemed difficult at all, and I picked up everything really easily, so I have essentially no idea which bits and pieces people find difficult.

And that leads to my question for you, adult ballet students of the internet. Two questions, actually!

First, when you were completely new to ballet, what was hard and/or unpleasant for you?

Likewise, what was easy and/or fun?

I realize I’m going to get a range of answers, here — like, if it was up to me, basically nobody would ever do chaines until they’d already been dancing for fifteen years, because for some reason I perceive chaines as difficult (even though I’m now at least somewhat good at them). Denis, on the other hand, has no difficulty with chaines, but thinks piques (to my mind, the easiest turns in the entire universe) difficult. Likewise, soutenu turns are super easy for both our nephew and for me, but apparently nigh impossible for Denis. I’m just hoping to get some consensus on what’s doable.

Fortunately, we don’t have to try to do any leaps, because as far as I know we’ll be dancing on the equivalent of a marley remnant laid directly on the playa. I don’t want to mess up anyone’s joints, so no leaps — maybe a few sautés, but that’s it. As such, the mini-performance choreography in question will be mostly adagio and steps that might otherwise be linking steps.

Anyway, that’s it. I’m very much looking forward to this project, even though I’ve realized that it entails way more responsibility than I initially imagined. It should be a lot of fun, whether I wind up working with a bunch of eager people who’ve never danced a minute in their lives or a bunch of people who dance professionally and could mop the floor with me in a ballet-off.

That’s it for tonight. As my now-favorite ballet shirt proclaims, “Keep calm and rond de jamb!”