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On Ballet! — Wednesday Class Notes!

I know, I know — I’m messing up the routine, everybody! But it’s okay. It’s summer break. The goal is to hit ballet class three days per week.

We missed Monday’s class: first, Denis was held hostage (well, not really, but it sounds more exciting that way!) by his dentist, who was fixing a tooth that Denis somehow broke in Chicago and we didn’t make it to the 6:15 class. Then we didn’t quite make it to the 7:15 class after picking up the truck from our awesome mechanic’s place. C’est la vie.

Today I did my first Wednesday class under the tutelage of Brienne, who runs a very athletically-demanding class. There is nothing like a good run of slow fondus to make the muscles wake up and sing.

I was a total mess for much of the class. My head wasn’t entirely in the game. The Wednesday class is in a different studio, which for some reason I wasn’t expecting, and I think it threw me for a loop. Somehow, at the Joffrey — where I expected a new studio full of new people — this wasn’t a problem. It’s all about the interplay between expectation and reality. No biggie: I need to learn to adapt more readily, and this sort of thing provides ample opportunity for practice.

This isn’t to say that I didn’t do anything right. I’m sure at least one or two counts of the grand battement were good, and while I didn’t execute our combinations at center all that brilliantly well, I did at least remember them.

I think the highlight of the class, though, was that slow-burning fondu exercise. It was demanding, it was even (at moments) painful — but it provided an exceptionally good opportunity to really focus on feeling which muscles were supposed to be working and making them work … even if I only managed to do it right for a few seconds at a time.

This is certainly what I felt like at the end of class.

The rest of the time, I kinda looked like this.

I’ve learned that I really like having the opportunity to work with different teachers. I think I touched on this in my last post. Over the summer, it looks like I might routinely have classes with all three of the teachers I’ve met at LBS, which is pretty awesome. I’m collecting useful instructions and corrections — Margie’s commentary on using the first position port de bras as a gateway; Claire’s correction for my back; Lynne’s explanation about maintaining turnout through rond de jambe; Brienne’s very effective advice for finding and using the muscles that maintain turnout (and also for not slamming one’s heels together during dégagés).

Perhaps I should start posting a weekly list of useful instructions and corrections?

I’m looking forward to more classes with Brienne, Claire, and Margie (in alphabetical order), and to further re-creating myself as a dancer.

That’s it for now.

Leather side down 🙂

On Ballet! – Monday Class Notes

You may recall that, on Saturday, I received a really great correction about my tendency to sort of lean back when I think I’m pulled up straight.

As such, I went into today’s class feeling rather more confident about things: suddenly, I understood why some of the things that had proven difficult for me had done so, and had a notion as to how to fix them.

I say “had a notion,” because thought does not always translate directly to action. There were still times that I was a bit Pisa-esque, a little lean-y. However, when I was able to keep everything pulled together, my balance was much better, my turns were better, and I generally felt better.

Of course, that didn’t prevent me from developing an entirely new problem. No, as usual, in an effort to overcome a different (but related) existing problem — that of throwing my arms too far back, which also screws up your balance — I over-corrected, as always.

How not to position your arms a la seconde.

So, ummm, yeah. About that second position…

Fortunately, The Divine Ms. Margie caught it and corrected it before it could get, well, out of hand.

I also had some instances of the weird leg malfunction wherein, for whatever reason, my left leg goes instead of my right, or whatever, and then I do all kinds of crazy catch-up maneuvers. At least this only happened during petit allegro this time, and not at the bar (though I did, somehow, totally hose up one of the sequences at the bar anyway, for no good reason).

Something I’m trying to keep in mind: in ballet class, as in life, you shouldn’t focus on your msitakes. You should make note of them and correct them, of course, but if you find yourself thinking, “Oh, no, this is where I got the combo wrong before,” you’re almost certain to get it wrong again and in the same way.

Of course, when I figure out how to note my mistakes and correct them without focusing on them in that way, I’ll be sure to let you know.

On Ballet! – As the Pique Turns

I shall try to keep this brief.

We had a good class tonight even though Denis and I were held hostage by Steak-n-Shake and ran in as the barre segment was beginning. There were only four of us, so we all received close scrutiny. Many questions were asked and many corrections received, especially by me. I was particularly in need of corrections tonight, but they were all good and useful ones.

My core still wasn’t great. I think I’m going to have to put some dedicated time into that. The past couple of weeks I have been running around like a chicken with its head cut off collecting data and so forth, and consequently not putting much time in at home for strength training (which, in my case, generally involves calisthenics and fooling around on an exercise ball, because it’s fun), barre practice, or riding-of-the-bike.

Today we launched a raft of piqué turns. There were only four of us, so the rate of collision remained low … mostly.

Line graph of a bunch of beginners doing pique turns.

Figure 1. Line graph of one ballet class’s progress across the floor. (“NO” is for “PiaNO.” As for “DANGER?” Seriously, Denis and I nearly collided in that one spot like three times.)

If I were making my usual bulleted lists of strengths and weaknesses, the pique turns would be on both. When I put my brain on hold and went with the flow, it was All Good(or well, kinda good, anyway). When I started thinking, I did crazy stuff with my arms, failed to keep my shoulders square, and sort of fumbled my way into and out of turns.

Denis and I also nearly collided in exactly the same spot every time we were heading to the right, which was actually kind of funny.

I actually have no idea if our other two classmates were traveling on nice, straightish lines like I’ve depicted. It’s possible that they were zigging and zagging like a championship football team, just like I did from time to time. Meanwhile, Denis’ brain kept wanting to chainé instead of to piqueé.

A good time was had by all. It was a happy class, for all the crash potential. There was a great deal of smiling. Nobody fell down. Not that anyone has done, at this juncture, but we did lots of turns today, and sometimes people like to fall over when doing turns.

Tomorrow I hand in my data for my independent project and re-hand in the exam for P-342 that Dr. R extended on Thursday. Then I’ll be working on tweaking my project and writing it up as well as writing up my awesome research proposal.

It has just occurred to me that, with any luck, I will graduate this year. Finally. I feel like maybe I should buy one of those obnoxious t-shirts that say SENIORS!!! and CLASS OF THIS VERY CURRENT YEAR OMG! and so forth all over them … except, another part of me feels that’s a little too much like getting your sweetheart’s name tattooed on your person, which never ends well.

Okay, that’s it for now. I think we’ve earned a nice relaxing evening, and I’m going to go read in bed.

On Ballet! – My Core Is Jello

When you were a kid (or, you know, more recently than that, because some of us don’t impose silly restrictions on ourselves about what kinds of pastimes are appropriate for “grown-ups”), did you play that famous game, “The Floor Is Lava?”

Yeah, me too. It was (and remains) one of my favorites (for even more fun, try the “Ballet Moves Only” variation).

Well, yesterday I played a different version during ballet class. Instead of the floor, it was my core muscles … and instead of lava, it was jello.

Must be jelly, because grand battement don't shake like dat.

Seriously, the caption says it all.

I was wiggly. I was jiggly. I was sweating my socks off, because suddenly it was 70+ F and sunny and even though we kept the blinds closed it got quite warm in the studio. I try to be all proper ‘n’ shizzle, but I think I might actually switch to capri-length tights for the summer, because seriously, our studio gets waaaaaaaarm.

On the other hand, much like if you want to ride a hot century, the only way to acclimate yourself is by riding in the heat, if you want to dance under hot lights on a potentially-warm stage someday … yeah. So maybe ignore me, and I’ll just go on wearing my tights, because evidently while it is totally de rigeur for dudes to dance topless whenever modern choreographers are involved, we still gots to wear tights*.

Anyway. There was a another new gentleman in class yesterday, which was pretty cool. He’s a newer dancer, but usually does a different class with his wife. She wasn’t dancing due to an injury (I think?) so instead he joined our class, which was surprisingly full, given that it was the morning of Thunder Over Louisville, which is the kickoff event for our several-weeks-long bacchanalia of horse race-worship known as “Derby Festival.” There were something like eight of us. This resulted in a varying degrees of hilarity as we went across-the-floor doing jetes and turned into a game of human pachinko at either end.

Nonetheless, during barre, my core was like a six-pack … of Jello snacks. This might be because I went dancing on Friday night, slept five hours, crawled out of bed, and hauled my bacon to ballet class. I don’t do the rock-’em-sock-’em when I go dancing. I engage every muscle I can find. I use the tools I’ve learned in ballet and modern dance. Sometimes the result is a more jello-y me a few hours later.

So, needless to say, even my strengths were a little weak. I’m not going to bullet-point things this time: basically, it was all pretty mediocre, except for leaps and port de bras, which took place at the end of class and benefited from an hour of trying to remember to hold it together.

My arabesques were high but weak, my barre work as a whole left a lot to be desired, and let’s not even talk about grand battement (for what it’s worth, the leg part looked great, as long as I ignored the fact that my body was kind of all over the place … which, of course, one cannot do in ballet: the core is everything; without it, beautiful legs are meaningless).

On the other hand, evidently my leaps looked pretty awesome. I let the legs take care of themselves (which they do pretty well) and focused on not getting all Freddie Mercury with the arms. Three separate people complimented me on my jetes and sautes arabesques, which was super awesome.

I also felt pretty happy with the port de bras exercise we did: I probably wasn’t awesome at it, but at least I was following along and didn’t look like a Giant Elbow Monster. Seriously, I seem to be so constructed that I really have to work hard to look like I don’t have giant pointy elbows when I’m dancing. Likewise, my arms weren’t tired when we finished, which evidently indicates that I’m using the right muscles to do the exercise in question.

Our teacher, The Divine Ms. Margie, describes it as “hanging” the arms off the back muscles, basically. That’s certainly how it feels when I’m doing port de bras, so I think it’s a good analogy.

In other news, I have basically finished data collection for my research project … though last night, as we stood atop the Cressman Center parking garage watching crowds of people on foot streaming back to their homes and buses and cars after Thunder, I really wished I’d designed an experiment to see how many people would look up if I shouted, for example, “John!” or “Nice hat!” from the top of a building. That would’ve made data collection so much easier.

But, anyway, my research project is basically done, and I’ve sent the preliminary version of my poster to my professor, so it’s too late now (THE DATA IS LAVA! IT’S LAAAAAAVAAAAAAAAAAAA!). Next up, I need to make some revisions to my Research Methods and Statistics exam and write up a research proposal (for a project that will probably never happen, so I get to make it as elaborate as I want to).

And, of course, moar ballet. I’m looking forward to tomorrow’s class. With any luck, my core will be a wee bit more stable.

Notes
*Seriously, go see a modern ballet production: as often as not, if you combine the wardrobe for the ladies and the gents, half the dancers could have a full outfit. Of course, they other half would have to dance naked, but that would be even more modern … right?

On Ballet! — Saturday Class Notes After Dancing All* Night

Last night we went to Play Dance Bar.

I might have had three cosmos (holy crap, they mix them strong!) and I might have broken out some ballet stuff on the dance floor. Evidently I had an audience for a while, but I didn’t notice (Denis mentioned it to me afterwards). When I go out dancing, I go to dance, and I generally dance alone. Sometimes I dance with Denis. Mostly, I just go to be absorbed into the music and let my body run free.

I might also have taken off my boots (they’re cute, but holy moly, do they ever stick to the floor!) and danced in my socks. Shhh, don’t tell.

We got home at 3 AM following a wee-hours breakfast with the Fabulous Miss Kelly and slept for 5.5ish hours before getting up for ballet class. I was quite proud of Denis for peeling his bacon outta bed to go dance some more after I dragged him out** to dance and kept him up way past what he calls “old man bedtime” last night. Nonetheless, I felt surprisingly great in class (though I did chug a cup of coffee with caffeine and everything, just to be safe). Class went quite well, with four of us plus our lovely teacher representin’ in Studio 5. Everyone seemed to be peppy this morning, too, which was pretty nice.

Today’s Strengths

  • Holy Arabesque, Batman!

    My arabesques looked fiiiiiiine today. w00t. Got a couple corrections, applied them, and got a nice compliment from our teacher this time. Heck yeah!
  • Grand Battement

    The leg bit looks great, though when we do them a la sèconde, I kind of can’t help but go OMFG my thighs are HUGE. Not in a bad way, really: they are cyclist thighs. German track racer thighs (though starting to look slimmer and more dancer-y now). I look at them and, like Denis, I see POWER.

    That’s kind of cool actually.

    The arms are still confused sometimes. Ah, well.
  • Saute Arabesque

    I admit it, I felt like a freaking dancer, y’all.

    Hecks to the yeah.

Today’s Not-So-Strengths

  • Revérènce

    Brothers and sisters of the Innertubes, when I get confused during Revérènce, I get really confused. I have no earthly idea what I was doing.

    To be honest, I am doing better than I was on Monday.

    This Is Harder Than It Looks

  • Pirouettes

    Once upon a time I was good at these. Now? Not so very much.

    Admittedly, my shoes sort of peeling off didn’t help. I think they are a hair on the large side. That said, I can haz duck feet, which makes me hard to fit. And also I am used to Euro sizes (cyclist!), so I am not really sure what size I wear in ‘Mercan. I think I am going to see about going to get a fitting.

    That said, my shoes cannot be blamed for the fact that I kept sort of failing to finish my pirouettes. I would get, like, halfway around, and then just sort of laze my way out.

    Not. Acceptable.
  • And, of course, Freaking Chaînés.

    True story: last night, at the club, while DRUNK OFF MY ***, I could do chaînés.

    I have begun to suspect that the problem is that I’m thinking too much.

    My in-class chaînés were better than the last couple of times by a long shot, though.
  • I feel like I’m making improvements. This is reassuring. I continue to feel like the old muscle memory is waking up and like my body is getting itself together again. Also, not having my hair in my eyes all the bleeding time does help, though I think I liked the Ballet Prince haircut I had going on before, so I might let it grow back out. OTOH, my neck being nice and cool during class doesn’t hurt.

    I think this week I’m going to start a little once-a-week series covering some basic ballet stuff. Denis will appreciate that. We also found a basic ballet video that sounds promising, so I’ll probably run up a review with him, since my experience as a returning student will be very different than his as a true n00b who’s still learning the ropes.

    That’s it for now.

    Keep the leather side down!

    Further Notes
    *Okay, so not exactly “all” night. I probably only danced for 1 hour and 45 minutes total, but all night sounds better ^-^
    **Actually, he suggested going out. o.O