Author Archives: asher

Okay, Just One More 

… Before I take a break. 

Performance went pretty well tonight.

On the other hand, about half the stage stabbed me in the butt. 

I had to change out of my shorts after “Lean On Me,” because OMG:

Key included for scale.

The corresponding hole in my shorts, happily, doesn’t align with anything that might be considered obscene. 

As D observed, “That’s why you should only dance on marley.”

…Our at least run a Giant Splinter Check with something other than your butt. 

A Break, Maybe?  

I’ve started and scuttled four or five posts this week, and just now figured out that maybe (GASP!) I should take a brief break from the ol’ blorg. I’m not really doing social media right now, either. 

Now is a good time—this week has been jammed with rehearsals and, for me, last-minute learning of choreography for a piece that lost a dancer to illness (I mean, she didn’t die, she’s just out sick; fortunately, this dance is neither long nor difficult, so picking it up in two days has been okay). Next week is the last week of Dance Team for the semester, so we’re doing an improv workshop and team banquet on Friday. I also need to check in with my own wee group of dancers and schedule rehearsals for “Work Song.”

Class updates: Thursday class is on hiatus until after Nutcracker (because BW is Dancing All The Things), Wednesday Class has a sub (who I like very much) until the end of the month because Killer B is also Nutcrackering (IIRC, on Key West!). Saturday class continues with excellent substitutes. I’m going back (finally) tomorrow, though I may just do barre. I chose to call it a day after barre on Wednesday this week, and I think that was the right decision, and while I’m feeling more like normal now, JP’s teaching, and I may or may not have it in me to do his full class. Sunday, I’m back to teaching.

I’ve put Monday class and all Tuesday classes on hold until I get my waterfowls in a linear array, because it’s the only one I feel the least bit flexible about. I’ve been having a rough time getting caught up on stuff that got behind behind at home  while I was sick (in other words, literally everything). That needs to get sorted quickly, and now (before we jump into the fray of “Work Song” rehearsals, Spring Dance Team, and Even Moar ballet) seems like a good time. 

So I am pretty sure I’ll be taking a one-week break, and I might make it two.

But I am, as always,  Not Dead Yet. 

And for all all those celebrating all the various holidays:

So paper. Many joy. Wow

It’s Not Just About Conversation Starters 

In real life, among strangers, I am shy in a way that’s remarkably specific and to a degree that can fairly be described as crippling.

I’m fine on a podium. Fine in a classroom discussion (unless the instructor utters the dreaded words, “Divide yourselves into groups…”). Fine if I’m with someone I trust who will let me stay close. Fine in a ballet class, because the protocols are generally pretty clear.

But usually I’m not fine.

It took me a long, long time to really understand the problem—in fact, it was only in the past year or two that I was finally able to pick the most important thread out of the pattern; the thread that forms the warp(1) of the whole thing.

  1. In weaving, the warp is the straight thread that forms the matrix around which the fancy stuff is woven. It may may not look like much, but without the warp, a beautiful loom-woven rug is nothing but a ball of yarn. BTW, there’s an easy way to remember which is which: the word weft(2) relates to the verb “to weave”—and if you think about the action of weaving (whether weaving fabric or weaving through obstacles), it will help you know which word is which. The weft is woven around the warp.
  2. Some weavers use the word woof in place of weft. I forget exactly where I first learned basic weaving (it was a school thing; we made hand-looms), but the woman who taught us used woof. I use both, interchangeably. A different bent on the same mnemonic applies: weave > woven > woof instead of weave > weft. 

The warp of the problem, for me, is that I can’t read (or even see) the subtle signals that say, “Hey, it’s cool if you join me/us” or “Stay back, weirdo.”

Being as I’m a fairly benign weirdo who doesn’t like to go where he’s not wanted, I have no idea who to approach—and I also have terrible feelings associated with the times that, as a kid, I tried anyway and found myself harshly rejected.

I’m okay if someone approaches me, but if I’m put in the usual free-for-all kind of situation, I’m completely screwed, and I tend to quietly panic.

I doubt this helps me seem approachable.

I don’t know if there’s any complete solution for for this.

I have grown marginally less anxious about approaching individual strangers. Most adults aren’t obnoxious jerks who will openly heap scorn on beleaguered randos who approach them, and I think I’m pretty okay at picking up on the signals that say, “Okay, it was nice meeting you, I’m out.”

Groups are harder, because I can’t tell when a group is open and when it’s closed. To complicate matters, I live in a place where people feel that is impolite to say so directly, or indeed to say anything directly …but in which the conventions surrounding polite, indirect communication are quite different from those I learned growing up. Argh.

So I dread the “divide yourselves into groups” moment with singular intensity.

I’m not sure what to do about all this, exactly—but at least it sheds some light on why all the. “quirky conversation starters” articles out there seem, from my perspective, to miss the point (though I’m sure they’re a big help to a lot of people).
It’s not that I can’t think of something to talk about. Everyone loves ballet, dinosaurs, entomology, and etymology, right? RIGHT?! ;D

It’s that I can’t figure out who is and isn’t open to talking to me (unless, like the guy at the last party I went to, they make the first move).

~

I’m writing this mostly for myself. Writing about these things helps me think about them. Maybe if I can start thinking concretely about this problem, I can start to develop a strategy; something that will help.

As a dancer, of course, I’m backing flag semaphor. (FOTO:Fortepan. Hungary, via Wikimedia Commons.)

I don’t think this will will ever be easy or natural for me—but that’s okay. If I can figure it out just just enough to get by, that will be, as they they say, gravy.

DanceTeam, Yeaaaah! 

Out girls performed on an actual stage for the first time today, and they blew me away. 

Not because they were perfect — they weren’t; nobody is.

But whenever one of them made a mistake, she just kept on trucking like that was exactly what was supposed to happen — so the mistakes disappeared from view.

Likewise, they all broke out of their shells. Apparently the key to getting this bunch out of their own way is to stick them in front of an audience of strangers (and let them bust some hip-hop moves in the hallway before they go on). We’ll remember that! 

The other team that made it to the show(1) was pretty awesome, too. They did a very different piece than ours, which which was cool. They have a couple really, really good movers.

  1. Of the remaining two teams that were registered, one evidently had the wrong address and got hella lost, and the other had a legit flu outbreak, which is not a big shock, since Louahvuhl is more like Flu-ahvuhl right now.

I was also really impressed by the fact that our team wished them luck, cheered for them, and congratulated them, and vice-versa. I can think of at least a few adults who could stand to learn that kind of sportsmanship. 

Anyway, our girls were thrilled, we were thrilled, and nobody went home in tears (not even our dancer who got accidentally elbowed in the nose in the locker room—she got herself together, got back out there, and danced her brains out).

It’s hard to express how proud they made me today. It was awesome to see them rise to this occasion like they did. So, yeah—I think by the time competition season rolls around, they’ll have no problem holding their own. 

10/10: Do Recommend

This is evidently what happens when I haven’t been able to dance—or do much of anything else—for more than a week, but I’m finally feeling well enough to do more than play “match 3” games on my tablet and sleep. 

I read.

(Okay, I read anyway; I’m a compulsive reader.)

Specifically, I fall down rabbit holes all over the Internet, then find myself googling related or semi-related things and falling down, I don’t know, jackrabbit holes. The game is afoot, but I’m cozily tucked up in its living room.

Anyway, I just happened upon a Ravishly post titled, “I’m Not A Stay-At-Home-Mom, I’m A Queer Housewife, Thanks.

I was going to write something about the same basic topic (except, like, I tend to call myself a “homemaker,” because people still be like, “Wait, you’re a boy, you can’t use ‘-wife'” and arguing about it is tiresome, and for all that my cat thinks he’s human and would happily ride around in a baby carrier all day if I got him one, I don’t have kids), but,  y’all, Ravishly’s Katherine DM Clover has pretty much covered it (without even invoking the Sapir-Whorf Hypothesis, which has depressingly little to do with Star Trek: The Next Generation).

So, in short, since this is a dance blog and you may not be super-interested in sociology, I’m not gonna be like OMG GO READ THIS AND THEN WRITE ME A 500-WORD ESSAY AND I EXPECT YOU TO TURN IT IN BY MONDAY, I’m putting it out here, because you might be interested in dance and sociology, and even in the power of language, so why not?

I also enjoyed a post about fancy food, to which I can say: yes, for the love of all that is holy, I’m having a hard enough time mastering Homemaking 101 without delving into the arcane waters of Organic Quinoa Coffee Flour and Martha Stuart Everything (and also, while I’m at it, why is almost everything they print in Real Simple actually really freaking complicated?). 

I mean, don’t get me wrong, I’m not saying Organic Quinoa Coffee Flour is inherently bad — just, like, baby steps, y’all. Baby steps. At least for me. Because I was raised by cats.

Um, I’ll be over here, trying to devise yet another system to keep from getting behing on the household book-keeping.

In Which Your Humble Author Gets Shot In The Butt By His Doctor

…Okay, okay, so technically I got a shot (of steroids) and technically it was in the nebulous region that is not quite butt, not quite hip. (If sideboob is a thing, shouldn’t sidebutt also be a thing? If not, I hereby declare sidebutt to be A Thing.)

And in the interest of full disclosure, the nurse actually stuck me. Apparently she doesn’t jab dancers in the sidebutt very often, as it took her a moment to orient herself in the unique landscape of Square Danseur Hindquarters. 

Erm, hooray for ballet muscles? 

Once she found the landmark she needed, though, the injection was painless (though slightly sore afterwards, while my body went, “Wait, WTF is this, now? Oh, anti-inflammatories, right, let’s get on distributing that.”). 

I am also on an antibiotic again—a different one, this time, to ensure that we don’t just just wind up leaving some doxy-resistant bastidges behind.

The Dx is more or less what I suspected—a relapse of the most recent sinus/ear infection, probably secondary to the viral horror currently laying waste to Louisville (basically, a nasty cold). The corticosteroid is intended to reduce the inflammation in my sinuses enough to get everything to drain this time. Take that, Solenopsia! 

The really gross part . . . erm, wait. Grossness warning! Icky stuff ahead, y’allz. Feel free to skip past the next paragraph. 

Okay, so the really gross part is is that the conjunctivitis resulted from goop in my maxillary sinus finding the only available way out. THROUGH MY EYE SOCKET(1). Ewww. Squick. On the other hand, it has basically cleared up today, so…

  1. I tend to sleep in a little ball on my right side, and the right side of my nose and throat were basically swollen shut, hence the right eye)

Anyway, between the steroid, which gets to work fairly fast, and all the other pharmaceuticals I’ve crammed into my bloodstream, I managed to actually get some things done done today. 

I also found a 12-hour cough suppressant syrup. It bills itself as orange flavored, but in fact is strongly redolent of mango, with notes of chalk and tangerine and a bouquet suggestive of a fine aluminum foil. It’s surprisingly not that revolting, as such things go, though it certainly wouldn’t be my first choice as a dessert liqueur.

The important thing is that it works, so I should finally be able to get a full night’s sleep, without a 3 or 5 AM dextromethorphan top-up, I hope.

I hate missing BW’s class, but stayed home tonight for my own good. We shall see how Saturday looks, but I’m optimistic. Tomorrow we take Dance Team to the aerials studio for a workshop, which is totally exciting.

And now to bed, because ugh, I’m tired. But OTOH I cooked a lot and washed all the freaking dishes. 

Here Is Fine, Redux

I’ve been reflecting a lot on some of the themes from Monday’s post — the need to step back from a dualistic world-view that makes me want to do the adulting equivalent of storming off the playground because the toys I want aren’t there right now, or whatever. I have more thoughts on that, but I’m not feeling very serious today(1)

  1. Possibly in part because I may finally have reached “laugh so you don’t don’t cry” territory; certainly because this latest fire abt invasion is veering into Theater of the Absurd territory; I feel like a walking, talking … okay, shuffling, croaking Monty Python sketch.

My fire ants are still in residence, but I’m seeing seeing my doctor tomorrow. 

I’m really glad that I decided to get off the fence and make an appointment, because over the past couple of days, a detachment of fire ant scouts has established a beachhead in the conjunctiva of my right eye 😐 

(Maybe  -___o  is more appropriate?)

Medically speaking, this isn’t as horrible as it sounds—it’s just run-of-the-mill “pink eye,” which I assume is related to the Invasion of the Fire Ants but might just be a random dose of Immune System Trollery. 

In short, it’s itchy and weird-looking, but not dangerous. 

The main problem is that “pink eye” in general is often highly contagious, and thus essentially good cause to go about wearing a placard that reads “LEPER UNCLEAN!”(2) and ringing a warning bell.

  1. Ironically, actual leprosy, properly known as Hansen’s disease, really isn’t very contagious.

In other words, you can’t go anywhere or do anything when you have “pink eye.”

Not that I’m in any shape to go anywhere or do anything in the world (though I finally discovered that I can actually sleep if I take, like, four different decongestants and a cough suppressant before bed, and then keep the cough suppressant handy for the inevitable 4 AM coughing fit, so I’m feeling marginally perkier today).

Anyway, I seem to have wandered (for now!) past the Bitterness and Recriminations phase of being ill and found my way to the Jovial Self-Deprecation phase, so that seems like progress. 

Back to the doc tomorrow to (one hopes) roust the dreaded Fire Ants both from my respiratory tract (which they’ve petitioned to rename Solenopsia) and from Fort Pinkeye for good. 

Here’s hoping they won’t be back for Round 3,because ballet blogs should be about ballet, not about the only thing that can turn a dancer into a whinging heap of goo.

Until then, I will try to remember the motto of my poor, besieged Inner Buddhist, who is trying very hard not to let the rest of my Inner Populace run away with their whinginess:

Here Is Fine.

Just Monday: A Meditation 

I wrote on Friday about gratitude, and also about the company of fire ants living in my throat. 

I was in denial. I knew that the fire ants (which had first made themselves known on Tuesday) were probably the opening salvo in the battle with another respiratory infection, but for various reasons, I didn’t want them to be.

I didn’t want to acknowledge the nature of my fire ants because, frankly, it’s frustrating to be sick. 

Health-wise, for me, this has been a phenomenally good year. I have gone months at a stretch without getting seriously ill. I have recovered from things more quickly than I expected to. I have actually had a couple minor viral illnesses that didn’t lead to secondary infections.

When I put it like that, though, it feels like a pretty low bar.

I’m a bit of an anomaly — or, rather, I’m something that America’s approach to health, which remains firmly rooted in Puritan ideals, doesn’t know how to place. On paper, when I’m not ill, I seem pretty robust. Tons of exercise, good basic diet, excellent vital stats. Allergies and asthma, of course, but I live in the Ohio River Valley. I have even mostly learned to listen to my body, my wonderful and obedient body that will allow me to push it ludicrously, when it asks me to rest.

According to the American ideal, I should be and stay as healthy as a horse (which, frankly, is an idiom that can’t have been coined by a horse person). But I’m not, and I don’t. 

I am still someone whose immune system, for reasons nobody understands, just isn’t that great. I catch things that are, for other people, innocent little colds, and they go rogue. I am terribly prone to secondary infections. I get sicker than other people and I take longer to get well. 

It’s worse when I don’t take care of myself or acknowledge the limitations that circumscribe my choices (I can ride my bike hard in cold weather if I’m willing to pay the price in terms of respiratory problems that inevitably lead to infections; I can adopt a schedule that approaches typical American busy-ness if I’m willing to acknowledge that my immune system will respond by going on strike). 

But it is what it is even when I’m doing everything I can to take care of myself. This is my reality.

~

This weekend I talked with Denis about some of the ways in which I’ve historically felt conflicted about my body, and how I’m beginning to understand that I need to stop looking at it from a dualistic, one-or-the-other point of view.

Maybe the same can be said for my health. 

Maybe it’s time to stop thinking of it as either-or, and start thinking of it as and.

Like, maybe I should take care of myself as best I can, enjoy the periods in which I stay well for an unusually long time, and gracefully accept that I’m still going to be prone to infections that will, from time to time, knock me flat for longer than they should. Maybe I should try to accept that one does not invalidate the other, and to be kinder to myself about all of this. 

As a dancer, it’s hard to accept any of these conditions. As a dancer, and as a human being, I find it easy to accept my gifts and hard to accept my handicaps.

One set of conditions propels me forward; another holds me back. I am inclined to forget that this trade-off is universal — everyone’s tally sheet has entries in both columns. Maybe my peers in the studio don’t have immunity challenges that can keep them from dancing for weeks at a time, but they have other struggles. Maybe those struggles don’t affect their lives as dancers, but they hit somewhere. 

I feel like there’s a profound lesson in not clinging to phenomena here — both in the sense of not clinging to the phenomena of health or illness and in that of not clinging to the phenomenon of dancerness. I’m not sure how how to put those thoughts into words, though.

~

We live in a culture that treats illness like it treats fatness — which is to say, as a question of moral failure. 

People who rarely or never get sick tend to announce that status with a kind of prideful tone that suggests that they are somehow morally superior, even if in the same breath they say, “…and i don’t do any of that health-nut BS,” and scarf down a Whopper and half a bag of Cheetos. People like me, on the other hand, and regarded with a degree of suspicion, even (maybe especially) if our lifestyles should produce unequivocal good health. 

When I find myself forced to explain that I get sick easily and that my immune system just kinda doesn’t do its job very well, I almost always receive a bunch of advice about what I “should” be doing to fix it. I get get tired of explaining that I’ve basically tried everything; that, yes, it’s worse when I don’t take care of myself but it’s never going to be normal; and that much of what people suggest is complete crap founded in pseudoscience (I do try to be polite about that). 

I get tired of explaining why n=1 makes a great basis for an anecdote but a poor basis for an axiom. I get tired of re-asserting the fact that neither goji berries nor a strict Mediterranean diet will “cure” me.

I get tired of the implicit and usually-unexamined assumption that anyone who isn’t a shining paragon of good health probably just just isn’t trying hard enough, or isn’t trying the right things. Sometimes that may be true, but often it’s not. 

My crappy immune system isn’t the result of poor habits or poor morals. It’s the result of poor genes — with the caveat that the same set of genes that saddled me with this burden has also given  me the gifts of talent, strength, flexibility, coordination, off-the-chart spatial processing, a powerful musical sense, and the intelligence to use all of those things to make art.

This, by the way, keeps me humble. 

I know that my crappy immune system is not a question of effort or a measure of moral turpitude. By that same stick, I can see that the things that make a good dancer are, likewise, random gifts. Morally speaking, they do not make me a better person. In fact, morally speaking, they have sometimes made me a worse person — a less compassionate person; a more self-aggrandizing person. Thank G-d for crappy immune systems and for ballet, both of which are really good at teaching us humility when nothing else will.  

I try to make the most I can out of the gifts I’ve been given, but sometimes the things in the “debit” column get in the way. I suspect this is true for most of us.

Most of us are just muddling by ,trying to do the best we can, fairly often saying to ourselves about about many things, “There, but for the grace of G-d, go I…”

On which note, I’ll close, because I’m hoping to go back to sleep for an hour or two. 

I’m still working my way through this particular thicket, though. More later, perhaps.

Turkeygeddon

I mean, Turksgiving. 

Wait, no. THANKSGIVING. That’s what it’s called! 

Public gratitude posts are are a thing. 

I don’t normally do them, but I’m (mostly) cool with people who do. 

I’m kind of doing one this go-round, in part to take my mind off the fact that my throat has, since Tuesday, developed a wicked itching-burning thing that A) makes me feel like I’ve swallowed a snifter-full of angry fire ants and B) makes me cough, which makes the fire ants even angrier.

I suppose I should begin by being thankful for for the existence of of cough drops, because unprintable words this is driving me crazy. 

Nice quiet day at home yesterday. I finally transitioned from Trim Painting hell into Trim Painting Purgatory. I’m grateful for that, because jeez. 

Also, I am grateful for  ballet, modern, and aerials, which keep me sane (fire ants notwithstanding), grant me membership in a phenomenal community of amazing people, and give me something to do with my creative energies. 

I am grateful for my astounding husband, who manages to keep a roof over our heads despite my best efforts to completely drive this little train of ours right off the rails (note to anyone considering marrying an artistic type: we can be very responsible, but some of us are prone to long bouts of throwing ourselves wholesale into our work at all costs, and those of us who who dance can be expensive to feed), and the strange beast that is our family, with its many branches staggering off in different directions. 

Also for mixed metaphors, without which it might be much more difficult to describe snifters full of fire ants, the glorious chaos that is family at its finest, or probably anything at all about dance or home maintenance. 

Lastly, I am grateful that, at least at the moment, I still have medical coverage, so if these unspeakable, unprintable fire ants don’t GTFO soon, I can go see a doctor about about them.

Oh, yeah — and also for everyone who, for mysterious reasons, reads my blog, and for all the amazing and inspiring bloggers out there. 

Problem-Solving Dreams 

Apparently it’s pretty common for people to solve creative problems (and even scientific problems!) in their dreams. 

This happened to me the other night. I was iffy about the opening of Adagio Cantabile/”The Pest”. There’s a double turn programmed right out of the gate, but I wasn’t sure I liked the way I had implemented it. 

The other night, I dreamed I was performing that piece and opened with:

B+
Sweep through
Demi-rond to 2nd
Turn from second
Turn à la seconde

It felt awesome, scanned perfectly, and allowed for a smooth, strong transition to the next phrase, in which the first real step is a sauté 4th arabesque. 

The only problem? 

My turn from second is reliable, but I wasn’t at all sure about about the turn à la seconde in real life, even though I did it when learning Albrecht’s variation back in June. 

Anyway, tried it tonight after Trap 3 and found that, in fact, I can do this thing (thanks in no small part to a bit of advice that BW gave me last Thursday).

So that was pretty cool.