I took Monday evening class today because Ms. B (of Killer Class) was teaching. Also because I figured some ballet might help my mood (it did; I’m not all sunshine and roses, here, but I’m … Eh. Less awful?).
I’m glad I did. I struggled in my last two morning classes due to circadian rhythm disasters, but tonight I was on it (except I still don’t have my triple turns back, and for some reason my right leg didn’t want to coupé-balloné at the start of our medium allegro.
I got a lot of notes at the barre — detail work, now, refining port de bras and épaulement, mostly, and a “Nice, Asher!” during adagio.
Barre adage was good, too: working at relevé, I managed to finally lift my legs with the right muscles, and it was like, Boom! Effortless extensions at 90 degrees and above. This was a spectacular development, as I’ve been fighting with my à la seconde to a wildly unreasonable degree. My gluteus medius usually thinks it’s supposed to do, like, all the work, so it blocks several degrees of extension and then cramps. Tonight it was just like, “Oh, I’ll be over here, just call if you need me,” and the rest of the muscles were like, “Thank you. OMG, thank goodness that guy got outta the way.” And there was my leg, extended just above 90 from dèveloppé, and nothing cramped or strained or anything.
I continue to be surprised that I’m sorta, kinda becoming good at adagio. Also that I like it. As a kid, I thought adagio was boooooooring. Now I don’t — it has become a lovely opportunity for expression, not to mention a chance (in class, anyway), to check in with my body and pull everything together.
Speaking of which, my turns were sloppy at first, and then I realized that I was doing them with my “Cheetah eyes” turned off and my core all kinds of disengaged. Fixed that, and things got so, so much better.
After class, Ms. B said I look good! That’s a huge thing — I feel like I came back from Mam-Luft&Co a much better dancer; more so than I would ever have expected. That’s what I’m working for, so it’s good.
I’ve also been surprised by the conviction I feel about dancing: the audition I’m looking towards will mean, if successful, skipping Burning Man and returning early from Florida. I would do either of those in a heartbeat to be able to do this thing.
I guess that’s how you know you’re doing what you really want to do, though. All those decisions become essentially effortless.