I’m doing the National Choreography Month thing, and I’ve been enjoying the heck out of creating improv video clips and watching those created by other artists[1].

Today, I commented, “#contactimprov is the best. This is beautiful” on one created by LA’s Leigh Purtill Ballet Company (Insta: @LeighPurtillBalletCompany), and they replied, “I love seeing what develops between people who trust each other,” and I thought, Yes.

So much yes.

So much of my current work as a dancer can be traced back to moments of profound trust: to moments at the first Pilobolus workshops I attended in which a momentary connection became, “Yes, we can carry each-other.”

…To the first time Brian set a piece on the open program students at Louisville Ballet School, and entrusted me with solo choreography and, even though I’d never done it before, partnering.

…To a very conscious decision to trust Edwin Olvera when he approached me after a Pilobolus masterclass to suggest that I audition for the company and that I come to the summer intensive (I still haven’t managed to make an audition for the company, but I hope I will … And the SI was everything. Everything.).

…To Mike’s willingness to trust me to lead him in a blind walk dance, and the trust I found so easy to give to Quincy when I was the blind one in the dance, both at my first Pilobolus SI.

…To Rachel’s decision to trust me as an untried choreographer in creating a piece for the Americana Center Fundraiser.

…To Kathy’s and Christina’s willingness to jump in and trust my creative process as I set my first contemporary ballet piece. To my willingness to trust the changes they suggested, which made the piece that much stronger.

…To Dot’s, Jaddyn’s, and EM’S willingness to trust me with their life and limbs while we built pieces together and learned pieces being set on us this past summer.

… To the countless moments that Mr D has probably looked at me flailing through a Bad Ballet Moment and thought, “Jeez, what have I gotten myself into?” but has decided to keep me on anyway.

… To so, so many other moments in which someone has trusted me, or in which I have been able to trust someone else, and beautiful things have grown out of it.

I can say with conviction that my first Pilobolus intensive changed my life. Really and deeply. It was the catalyst for a sea change in so many ways.

The ground of that catalyst, in the end, was trust. Trusting the moments and the process and, eventually, my fellow dancers, until bit by bit I stood on a foundation of trust the like if which I couldn’t have imagined beforehand.

Trust is a springboard. Trust is a ladder. Trust is (sometimes literally) a pair of hands that lift you up into the light.

I love working with Dot and with Jaddyn because we know we’re crazy, but we trust each-other anyway. We trust each-other’s crazy.

There’s something sacred in knowing someone trusts you enough to say, “Hey, here’s this crazy and potentially dangerous lift in which you throw me over your shoulder at high speed, wanna try it?”

There’s something sacred in knowing yourself to be worthy of that trust.

All these moments of trust have been critical in making me what I am right now (for whatever that is 😅).

I would say that I’m surprised by the incredible things my friends from that one Pilobolus intensive are doing, but I’m really not. That group was something else, and in that week we all grew immensely in artistry and in trust. We were all sprinkled with the same magic dust, and the funny thing about magic dust is that it multiplies.

So I guess now the next step, besides continuing to improve as a dancer, a choreographer, a teacher, and an artist (oh, look, I said it again) is to figure out how to get better at spreading that magic dust around.

We are made by moments; moments (both bad and good; awkward AF and sublimely beautiful) that loom large in our autobiographical memories.

Just as in contact improv we share weight to create something beautiful, in life we balance and lean on each-other. We become the catalysts for the moments that make other people.

That, too, seems like it must be a sacred trust.

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1. Omg, look at me slipping in the phrase “other artists” as if I’m not still routinely consumed by imposter syndrome wrt the right to call myself an artist 🤣🤣🤣