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Pilobolus: Initial Thoughts (on Day 3)

Just a couple of wee thoughts. We’re working so much and dancing so much and talking so much and just living together so much that I’ve been spending my alone time just reading and breathing.

Anyway, this intensive has been amazing for so many reasons, not least because it has put me in touch with feelings I haven’t really addressed in a long time.

First, it has forced me to very directly face my difficulty approaching people. Every day this week, we’ve spent the morning doing exercises with one partner or set of partners, then repeating or iterating them with another, then another.

I hadn’t realized how much it still freaks me out to choose partners. Yesterday I got seriously rattled by it—but I actually mentioned it to the person who chose me, and they helped me through that moment. It was amazing.

I realize I’ve been feeling like, “This person or that person probably doesn’t want to work with me,” which isn’t fair either to them or to myself. That’s their call. I shouldn’t try to make it for them.

Second, I’ve realized that one of the things I love so much in dance, and especially in this kind of dance, is the giving and receiving of touch in an atmosphere of deep trust.

To do the work we’re doing here, you need to touch your partners and you need to trust them. Somehow, the process we’re working with creates an atmosphere of immense trust. We are all safe here in each-other’s arms (or feet, or whatever).

I came to this understanding by a circuitous back route. There’s one guy here who I kept desperately wanting to work with—to dance with. I wanted to feel his arms around me and his body against mine, but in a way that wasn’t about sex [1].

  1. Or, well, mostly wasn’t.

I kept trying to figure out why (leaving out the fact that he’s beautiful in a very unique way) and finally I realized that it’s the way he partners: he’s solid and steady, and when he holds anyone—anyone—in his arms, you can feel the power and the tenderness of that connection from across the room.

I’ve worked with him a couple of times now. In one piece, I caught him and sank to the ground holding him in my arms (in that particular dance, he had just died). 

It was an incredibly powerful moment. I’m not sure how to explain it, except to say that in that moment he trusted me with his body, and that trust felt like a sacred thing.

But also it just felt so damned good: just a human body touching my human body, which is so strangely important, without any need to be afraid or guarded or aggressive. 

Rather the opposite: the dance involved me catching his wrist as he took a slow backwards fall, pulling him into my arms and collapsing to the ground with him. I couldn’t be afraid or guarded or aggressive; I had to be fast and strong, but soft. I had to get both of us to the floor without anybody getting hurt.

I don’t know how to explain how that feels, but it’s pretty incomparable.

Today there was a dance in which a girl trusted me to catch her mid-flight, redirect her momentum, and throw her halfway across the room; in which I trusted her to pull me straight to the ground out of an arabesque as I pulled her to her feet. That felt incredible. There aren’t many places where you get to feel that kind of thing.

Anyway, that’s it for now. The creative process here never ceases to amaze me. Groups of dancers who had, for the most part, never met a few days back are, each afternoon, creating dances I’d happily pay to see, working in groups as small as two and as large as six, with only minimum input from our teachers.

That, too, is an amazing thing.

Eek!

I’m now committed for BW’s masterclass and some of the ML&Co intensive—I remembered that there are one-day passes and 3- or 5-class cards, so I’m planning to take 3 classes during the week and then go for the full day on Friday. It will be a hectic week, but not insanely so.

I also seem to have somehow committed myself to audition for the company at ML&Co’s intensive, so we’ll see how that goes. Erm, onward and upward?

In other news, I learned while I was writing this post that I will indeed be going to Pilobolus’ intensive this year as well! Obviously, that’s pretty exciting! I’ll also be able to visit my Mom and Step-Dad (unless the week that I’m going is the same week in July that they’re out of town; I can’t remember at the moment o.O’).

Yesterday, after I finished writing my post, I ate lunch, decided to read for a bit, and promptly fell asleep on the couch until 9 PM. Later, I slept from 12:30-9:30 AM. I’m not usually much of a napper, and that’s a lot of sleep for one night, so presumably I really needed to catch up!

At any rate, I’m feeling pretty well rested today 😀

We didn’t have modern class today (which let me get a bunch of stuff done around the house), so it’s back to the normal class schedule tomorrow. Modern is moving to a new time-slot, though, so that’ll be a change.

This week, D and I will start really cracking away at our PlayThink piece, which I hope to have finished before Master Class/ML&Co week (June 5 – 9) so we can simply polish it up before the festival.

Pilobolus Master Class All Up In My Drawers

 

…Wait, what?

Kids, this is why punctuation is important. That should read:

Pilobolus Master Class; All Up In My Drawers

First: Pilobolus Master Class!

You guys, it was so great.

I feel like I learned a great deal about the process of creating dances through improv, and it was cool to dance in an environment where technique wasn’t even a thing. The guys from Pilobolus basically said, “We love dancers and we love dance technique, but if you’re someone who spends hours every day in class, please check your technique at the door.” As someone who loves technique but can get a bit too invested in it, that idea was very freeing.

I am a horrible person, and have forgotten the names of our ambassadors of Pilobolus, but they were both very cool guys and very good teachers — though this process was as much one of bringing out what’s already there as one of teaching. The teaching part was more about figuring out how to use what’s already there.

I must admit that I went into it a bit worried that I’d be all stiff and horrible because…

OMG STRANGERZ!!!11!!!1one1oneomgwtfbbq

…But apparently I overlooked the part where, like, you know, dancing? …When I was worrying about that.

If dance is involved, I seem to do relatively okay in groups of new people.

At the end of class, we broke into three groups and created three short (about 4 minutes) dances in the span of about five minutes, performed them, critiqued them, refined them over another two (two!) minutes, then performed them again.

All three dances were completely different, and all three of them were cool, but one (not my group’s; ours was silly) was really stirring and moving. I hope some of the dancers will take it and run with it, because it was really, really good.

I feel like I want to let this whole experience percolate a bit more, then write about it at greater length. It was, in short, just an amazing two-ish hours (happily, we ran over the original 1.5-hour class time).

It turns out that Pilobolus holds a 3-week summer workshop series (in Connecticut, yay!). I’m going to have to seriously consider whether I can figure out how to afford at least one week this year. Curiously, the name of the third workshop, Vision & Revision, was also the name of my favorite writing class when I was in high school.

Serendipity, much?

 

And Now: All Up In My Drawers!

I did manage to make it to IKEA afterwards.

My one real goal was to acquire a second Big Blue Bag, which will greatly improve my laundry system. Heretofore, I’ve been using one Big Blue Bag and any of my various not-quite-as-ginormous shopping bags.

The second Big Blue Bag wasn’t essential, but it will make the system run more smoothly, since now I’ll have two dedicated laundry bags of the same size.

While cruising through the store (you guys, it is so nice to walk through an IKEA all alone), however, I found something even better: specifically, Drawerganizers(TM).

Since keeping tights and so forth corralled is a fairly regular topic of conversation among dancers and aerialists in my life, I thought I’d share the current iteration of my system, which mostly comprises hair elastics, a plastic crate, and IKEA’s set of 6 Skubb boxes. (Sadly, the Cincy IKEA didn’t have the aqua ones in stock.)

I’ve been meaning to implement a boxes-in-the-drawers system for a while, but hadn’t found Drawerganizers that worked for me (shoeboxes would have been fine, probably, but we didn’t have any). The Skubb series works really nicely, and I couldn’t argue with the price — something like $8 for the set — or the portability factor. The boxes fold up rather ingeniously; when you set them up, little zippers in the floor panels add tension that keeps them in shape.

So, here’s how things are organized now:

image

First Floor: Cycling Apparel, Men’s Shirts, and The Occasional Sarong

Bottom Drawer (technically the second drawer from the bottom; the real bottom drawer houses bed linens): this one’s full of bike kit, a few pairs of shorts, and a bunch of t-shirts that I should probably donate, since I don’t wear them enough.

Bike kit used to share the dance clothes drawer (which was the Bike Kit Drawer until I had too much bike kit to keep it all in one drawer), but then the dance kit kind of took over. Anyway, I’ve used the two medium-sized Skubb boxes to contain bike kit.

Overflow bike kit lives in a vertical organizer in the guest room closet, because I am apparently unusually sentimental about my Cabal jerseys, even the ones I don’t wear very often.

And, yes, there’s even a sarong in there, though I don’t think you can see it in this shot.

Next time I’m at IKEA, I’ll pick up a couple more Skubb boxes to corral the things that are still roaming free.

image

Second Floor: Dance Apparel, Fuzzy Socks, and Thermal Tights*

Top Drawer: Dance kit and almost nothing else.

Until recently, I’ve alternated between folding and rolling my tights, and found that neither really prevents everything from coming undone when I’m digging for that one pair with the pictures of mountains on it or whatevs.

The other day, I hit on the solution of buying a package of brightly-colored hair ties to keep them contained. It works brilliantly.

In combination with the hair ties, the Skubb boxes keep things corralled and controlled. No more tights rolling into the base-layer section; no more dance belts hiding under legwarmers (right now, for decency’s sake, they’re hiding under a pair of socks instead).

Things that didn’t really fit anywhere else take up the extra space in the drawer in front of the Skubbs.

image

Rooftop Terrace: Aerial Apparel, Clutter, and Mayhem

On Top Of Ol’ Dresser: Denis’ tights live here, along with our white-noise machine (which is really an air purifier), a photo from our wedding, and a terrifying doll that predates my tenure in this establishment. There are also some foam panels that insulate our air-con when it’s installed, but right now it’s still on vacation.

I found the plastic basket at a place called Five Below, but you can find similar ones just about anywhere.

The fact that Denis has his own tights-basket means he no longer asks me where his tights are (when they’re right freaking there!) or roots through my dance-kit drawer, leaving chaos in his wake. Seriously, the man is like a water buffalo sloshing around in a pond when he gets in there.

My married peeps (and anyone with kids or particularly egregious housemates; similar things can happen in kitchen drawers) will understand how this helps keep me out of prison.

image

La Pièce de Resistance

A cheap keychain-grade carabiner slipped through a convenient opening in the “weave” of the basket holds the hair elastics that aren’t currently in use. I’ve oriented it so the gate can be operated without removing the whole carabiner: you just slide a band up to the top, open the gate, and the band comes right out. The process for replacing one is similarly painless.

I had to think long and hard about how to implement this bit, because my husband is a lazy slob (and will happily tell you so himself). The idea is to make it so freaking easy to put the bands back that it’s basically easier than not bothering.

You guys, I seriously believe in the power of harnessing the path of least resistance. Remember, when (ahem) shaping (ahem) the behavior of spouses, appealing to the natural laziness of the human animal will save you many headaches.

So, there you have it. A tour of how things are staying organized all up in my drawers (dancers be like, “Wait, isn’t that what dance belts are for?” :V).

…And, now, on to the rest of the house.

*gulp*

 

 

 

*So organize. Very boxes. Wow.

OMGOMGOMG PILOBOLUS YOU GUYS!

I am apparently having an unsociable week. My apologies for the comments to which I have yet to reply (I keep saying to myself, “NEXT TIME YOU LOG IN, DanseurIgnoble, REPLY TO PPL!!!” and then not doing it) and also for relative radio silence.

I am doing class and things are going pretty well, actually, I’m just feeling peopled out and my language co-processor keeps being like, “Feh, you want me to craft a cogent response to somebody else’s thoughts? Here, why don’t we look at more memes instead.”

So! It turns out that, this weekend, Pilobolus is teaching a master class in Cincinnati! At 10:30 AM! FOR ONLY FIFTEEN DOLLAS (if you register in advance)!

If you’re in the area and you can go, you totally should. You will run into me and get to watch me flail through said class. Assuming you’re not also flailing away so hard that you can’t spare the energy to do so.

Pilobolus occupies a huge space in my heart. I grew up on their home turf (Connecticus is tiny, y’all), and they were the first modern dance company I ever saw, way back when I was but a wee bairn (like, seriously, I was probably about three?) and had no idea that dance came in different flavors.

Anyway, you can thank Modern T, who informed us of this minor miracle, for this particular FanBoy Moment.

…Which sounds like some really awful blended tea flavor. “After a hard day at the con, settle down in your hotel room and relax with a piping-hot cup of FANBOY MOMENT.”

Or maybe it’s an equally ill-advised cologne, I don’t know. I imagine that it either smells like a freshly-opened pack of Magic cards did in 2002 or maybe like the scent of convention centers and sleep deprivation? I’m rooting for the first one, because I have never been to a convention center that didn’t have that “brand-new-carpet and brutalist concrete architecture” smell.

Anyway. Come do class with Pilobolus! It will be awesome! And then we can go to IKEA together, because Louisville is apparently not good enough to have its own IKEA.

Or, well, we can if we can still walk after an hour and a half of Pilobolus masterclass. Or maybe if they have those little electric carts. I don’t know.

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