Category Archives: homemakering

Pathetic Fanboy Redux; Also, How Do Armband? 

A bazillion (okay, six) years ago, when I was training in Muay Thai(1), there was a “How Do Armbar” meme that circulated the Mixed Martial Arts forums and made us all snicker uncontrollably and snorf our drinks at school and work. 

  1. If you dance and are looking for an effective stand-up fighting game(because who isn’t, I guess?), I highly recommend Muay Thai, because A) it’s hella fun and B) your existing flexibility, rond-de-jambe, grand battement, and ridiculously powerful legs give you a totally unfair advantage starting out. Basically, Muay Thai is a lot like ballet, only when you kick people in the head (for which, btw, you use your shins, not your feet), it’s on purpose and sometimes they grin at you and your instructor gets all joyfully goggle-eyed. Also, you get to learn the arcane art of hand-wrapping and how to legitimately punch a mofo, should need arise. There is much less face-punching in ballet. Usually. 

Anyway, I apologize for committing not only meme necromancy, but obscure meme necromancy, in my title.

Regarding which: OMG, you guys! Why did I never think of recycling worn-out socks into phone armbands? 

It literally couldn’t be easier.  Here’s the source (lots of other amazing Mixed Martial Homemaking stuff on this blog, too, by the way):

The Art of Doing Stuff: DIY Armband for Your Phone 

For dancers, this is probably also a good way to repurpose that pair of legwarmers that looked amazing at the store, but started unraveling as soon as you took them off after class (I’m looking at you, sparkly legwarmers.)

Because I can’t leave well enough alone, I think I’m going to work on a version that folds over at the top and buttons, because dance, amirite? No way my phone is going to stay in an unsecured sock-based armband during tombé-coupé-jeté. Not for a minute. 

But this kind of thing could be incredibly useful for earphones-required rehearsals (Bluetooth earbuds are the best invention ever) and backstage warm-ups and everyday life (and running, and bike rides). Maybe I’ll sew them into pockets, too. Easy hand-sewing project, there. There are so many possibilities, here. 

I may never have to wear actual trousers with actual pockets again!

~

In other news, I went and got my Pathetic Fanboy on last night, and it was so worth it (though the music for “Mother Ginger” always gets stuck in my head, presumably because #AncientAliens).

First, it’s weird watching The Nutcracker year after year and ticking off the parts you could actually do (and those you could do if you just had a reliable tombé-coupé-jeté: regarding which—in men’s technique, tombé in second to achieve maximum liftoff, apparently; forgot to mention that yesterday). 

The last time I saw Nutcracker was two years ago. It was a totally different thing. I was really just climbing back into ballet, optimistically (and impatiently) forging my way back through all the stuff I’d learned as a kid. I had no experience of partnering. A lot of the men’s technique, in particular, still seemed further from my reach (let alone my grasp) than I cared to admit to myself. 

This year, much of the choreography seemed reasonably in reach—partly thanks to simply having learned a lot, and partly because learning Albrecht’s variation taught me that I’m more capable than I think (though, like Albrecht’s variation, maybe I would have to learn things with single tours subbed in ’til I have solid doubles).

Anyway, watching BW dance was, as always, enlightening. 

First, I think it may have given me some insight into nailing down my double cabriole, which is one of next year’s #BalletGoals. 

Second, BW’s technique is beautiful and clean and classical. Likewise, he legitimately makes partnering look so natural and effortless that it could be the kind of thing that just happens while you’re walking down the street or what have you(2).

  1. I don’t recommend just, like, ambush-partnering people, though. That might be taken wrongly, all things considered. So, in short, don’t roll up to the bus stop and be like, “Greetings, my good lady/fellow/etc,” and loft people above your head. They really might not appreciate it.

And he seriously has the most beautiful legs. He has gigantor thighs like mine instead of sylph-like, Hallbergian ones, which rather flies in the face of our collective assumptions about what ballet bodies look like(3). They’re robust, yet so finely sculpted that you can practically see the individual muscle fibers(4, 5).

  1. Though maybe less so for people who don’t constantly simmer in a vat of ballet. Honestly, I’m pretty convinced that when the average American pictures a male ballet dancer, they always picture Baryshnikov, Nureyev, or possibly Carmen Miranda, although she was neither male nor a ballet dancer.
  2. To my great vexation, a month of sitting on my butt has largely de-sculpted mine :/ #FirstWorldDancerProblems
  3. Also, no, I didn’t just spend the whole ballet creeping on BW, though it totally sounds like I did. White tights, you guys. They hide nothing(6).
  4. Which is why(7) we have dance belts.
  5. Well, that, hernias, and testicular torsion.

The other bit that seemed interesting: I noticed a few moments in which things subtly Didn’t Go According To Plan, and also why. I don’t know if that’s just a function of two years’ more experience and technique, or if it comes in part of watching painful video of myself dancing and thus learning to see why tiny error A leads to less tiny error B(8). Possibly both?

  1. As a whole, I think only one of these would have been visible to audience members who are neither dancers nor true balletomanes. 

 The second-act Sugar Plum pas de Deux wasn’t quite on form, though. I haven’t seen BR do classical partnering before, so I’m not sure if it’s not his thing or if it was just an off night. 

The casting for Arabian seemed a bit strange. BB commented that this may have been intentional; our new AD is into pushing dancers out of their comfort zones. 

Anyway, MK is the company’s resident Central Casting Classical Ballet Prince—and I mean that in a good way. That said, he’s not by nature the sinuous kind of mover the music demands. To my eye, he looked uncomfortable, and it translated into a stiff-ish performance. 

His partner, on the other hand, was perfectly cast. If I remember correctly, she also danced Sugar Plum opposite BW’s cavalier in the other cast, though I can’t remember her initials right now to save my life.

 Also, an errant paper snowflake drifted down from the rigging and upstaged (well, technically, downstaged) everyone during the last part of the pas de deux. If there had been, like, ten snowflakes, it wouldn’t have been quite as funny. Instead, it was just just the one snowflake that maybe was asleep or something during the snow scene.

Frankly, it was pretty hilarious, but I refrained from from laughing out out loud or narrating (“Omigosh, how did I miss my cue? Well, the show must go on—BANZAAAAAAIIIIIIIIIIII!”).

On the other hand, no little kids waved to their parents.  Apparently that happened once last year, and will now circulate in the Horror Story annals of the company and the school forever. 

Of course, Nutcracker doesn’t close ’til the 22nd, so a wave could still roll in.

The flowers, on the other hand, were really lovely this year, as were the flutes or Merlitons or whatever they are in our production (I suppose I could go find my program?). Tea—a solo in this company—was playful and skilful, while Spanish chocolate—a quartet—danced with brilliance and playful flirtation.

On the whole, everything was beautiful and magical, as it should be. HUK shined as a very non-creepy Drosselmeyer, and one of my favorite dancers, SV, owned the Russian dance (our company’s rendition isn’t my favorite, but it’s still pretty fun).
So that was Nutcracker, and now it’s on to whatever’s next. I know The Sleeping Beauty is coming up, and I’m looking forward to that.

10/10: Do Recommend

This is evidently what happens when I haven’t been able to dance—or do much of anything else—for more than a week, but I’m finally feeling well enough to do more than play “match 3” games on my tablet and sleep. 

I read.

(Okay, I read anyway; I’m a compulsive reader.)

Specifically, I fall down rabbit holes all over the Internet, then find myself googling related or semi-related things and falling down, I don’t know, jackrabbit holes. The game is afoot, but I’m cozily tucked up in its living room.

Anyway, I just happened upon a Ravishly post titled, “I’m Not A Stay-At-Home-Mom, I’m A Queer Housewife, Thanks.

I was going to write something about the same basic topic (except, like, I tend to call myself a “homemaker,” because people still be like, “Wait, you’re a boy, you can’t use ‘-wife'” and arguing about it is tiresome, and for all that my cat thinks he’s human and would happily ride around in a baby carrier all day if I got him one, I don’t have kids), but,  y’all, Ravishly’s Katherine DM Clover has pretty much covered it (without even invoking the Sapir-Whorf Hypothesis, which has depressingly little to do with Star Trek: The Next Generation).

So, in short, since this is a dance blog and you may not be super-interested in sociology, I’m not gonna be like OMG GO READ THIS AND THEN WRITE ME A 500-WORD ESSAY AND I EXPECT YOU TO TURN IT IN BY MONDAY, I’m putting it out here, because you might be interested in dance and sociology, and even in the power of language, so why not?

I also enjoyed a post about fancy food, to which I can say: yes, for the love of all that is holy, I’m having a hard enough time mastering Homemaking 101 without delving into the arcane waters of Organic Quinoa Coffee Flour and Martha Stuart Everything (and also, while I’m at it, why is almost everything they print in Real Simple actually really freaking complicated?). 

I mean, don’t get me wrong, I’m not saying Organic Quinoa Coffee Flour is inherently bad — just, like, baby steps, y’all. Baby steps. At least for me. Because I was raised by cats.

Um, I’ll be over here, trying to devise yet another system to keep from getting behing on the household book-keeping.

Cooking with ADHD: Bread 2.0

I think I may may have posted my bread recipe at some point in the past, but I’ve updated it a little bit, so here’s the update!

I have a kitchen scale now, so later on I’ll add metric mass values so those of you cooking in Europe can give it a whirl without having to guess. It works fine by the fairly-inexact American volumetric method, though! 

You will need:

  • 3 cups all-purpose or bread flour, plus extra for dusting
  • 4.5 teaspoons highly active dry yeast (I recommend SAF red; also, that’s 1.5 tablespoon, by the way; or if you’re using packets, 2 packets)
  • 1.5 cups hottish (not boiling) water (or 1 cup hottish water and .5 cup milk)
  • 2 tablespoons butter or olive oil (margarine or veg oil will work, too!) 
  • 1-2 tablespoons sugar, brown sugar, honey, or malt syrup (your choice)*
  • 1.5 teaspoons salt *

Ingredients marked * are optional. I like the flavor of bread better with salt (and need tons of salt because my body is crazy), but you can leave it out. The sugar/honey/syrup changes the flavor of the finished bread only a little, but it can help get your yeast going if it’s sluggish. Honey or malt syrup add a little moisture, but not enough to require adjustments (edit: usually).

I think you can also bake bread entirely without fats, but I haven’t tried it, so I’m not sure how it would turn out. 

To make the bread:

  1. Combine water, yeast, and sugar. Stir to blend them, then set aside. 
  2. Combine flour, butter/oil, and salt in a large bowl. 
  3. When the yeast mix gets foamy, pour it into the dry mix (if you’re using butter, the hot water will help it melt).
  4. If you’re using milk, pour it in, too.
  5. Stir with a stirring spoon to everything is fairly well blended (don’t worry — it doesn’t have to be anything like perfect!). 
  6. If you have time, give the ingredients about 5 or 10 minutes to rest. This lets the flour take up the liquids. It also lets you find some awesome podcasts to listen to while you knead (might I recommend the History Chicks?). 
  7. Squish everything together a little with your hands, dust your work surface with flour, and dump your dough right onto it.
  8. If you’re like me, set a timer so you don’t find yourself thinking, “OMG, I have been kneading this dough foreeeeeeeevaaaarrrrrr.” 6 to 8 minutes should do the trick.
  9. Ready … set … knead! Remember, no grouchy TV chefs are here, and even if they are, it’s your kitchen — so knead that dough in whatever way works for you!
  10. Ball up the dough, cover it with a damp cloth, and let it rise for 30 minutes (if you’re in a hurry) to 1 hour (if you’re not). Longer than 1 hour is fine, too. If it’s going to sit all day or overnight, though, maybe stick the dough in the fridge so it doesn’t go completely crazy.
  11. When you’re ready to bake, preheat dat oven — I like a darker, crisper crust, so I set it for 450 to 500 degrees Fahrenheit.
  12.  Punch down your puffed-up, self-important doughball friend, then shape your baguettes or batards or loaf or rolls or boules or what have you. I often do one baguette and either four submarine rolls or eight dinner rolls. 
  13. If you have time, let your dough rise again (like the Mary-Ellen Carter!) for 15 – 30 minutes. this step is optional, but gets you a pooftier end product. 
  14. Bake for 15 (for dinner rolls) to 30 minutes on or in whatever kind of pizza stone, cookie sheet, loaf pan, and/or baguette pan you’ve got on hand. You can probably even use muffin tins (though I haven’t tried that).
  15. Cool (preferably on a rack) for as long as you can stand it.
  16. The most important part! Enjoy your bread while collecting accolades from your friends and loved ones who will be like, “OMG, this person is amazing!”  (Unless they can’t have gluten. I should learn a good gluten-free recipe, because Celiac is no joke.) 

That’s it! I’ll try to add pictures, and someday, I swear, I really will do a video post about this. 

Edit: Oh, yeah. You can also also combine steps 1 through 4 and just mix everything together right away, as long as you have good yeast. I like to proof mine because it makes me feel like a mad scientist, but it isn’t really entirely necessary. 

When I make pizza dough (exact same recipe!), I usually omit the second rise. 

In Which Things Are Accomplished

In addition to submitting my audition registration forms, today I:

  • tidied and vacuumed my living room (oy vey)
  • got promoted to Trapeze 3 (BOOYAH!)
  • got oversplit back on the right side (though I suspect that me try to figure out how to get a yoga block under my front foot while in a full split probably made for a pretty hilarious floor show)
  • hung out with friends and ate ice cream

This was one heck of a good day, people. Now I’m going to bed so I’ll be well rested for class tomorrow 🙂

Modern Monday: Thoughts on Picking Up Combinations; Also on Food

I’ve been working on a strategy for combination-acquisition that Modern T recommended to me, and I really think it’s probably the best way to go.

In short, instead of hand-miming or subtly marking the combo as it’s handed out, you just stand (or, in some cases, sit) there and watch — really watch and ingest; get a good, solid mental video.

Then, if there’s a repeat of the demo or a verbal explanation, you can mime or mark as needed. It also helps to program in the counts (and swing and swing and swing and around, or what have you) on the repeat if you think you’re going to get lost.

This approach prevents you from missing critical points — the direction of a turn; what exactly happens during a change of direction; whether there’s an extra step or a direct weight transfer; what’s happening with arms and necks and shoulders and backs.

I did this throughout most of class today. Sometimes it felt really weird to be standing there just watching while much of the rest of the class was doing the subtle-marking method and my brain cells were firing like crazy, trying to make parts of me move.

On the other hand, it worked.

Throughout much of the class, I had the choreography down about as well as anyone. I felt solid doing it, even though sometimes my body was busy going, “WTF, THIS IS NOT GOOD BALLET, I WANT TO DO GOOD BALLET.” Sometimes my body doesn’t get the memo that modern != ballet.

To be frank, this kind of watching is hard for me. I tend to space out (and then start jiggling) when I’m standing still (thanks, ADHD!) — so this kind of “just watching” involved a very conscious, intentional imbibing*.

*Belatedly, I’ve realized that it’s the same way I watch compelling dance performances (which also explains why I have really good mental “video” of quite a few of them).

I totally failed to apply this lesson going across the floor. I started out with good intentions, but then realized I was in somebody’s way, took a step — and suddenly I was soft-marking along and missing really critical elements (Wait, isn’t there a third triplet? And is that hop-tour lent thing on the upstage leg or the downstage leg? And why am I doing it as if it was an sauté-fouetté?!).

As such, my across-the-floor combination was a straight-up disaster.

I did it wrong, then did it another flavor of wrong, then did it a still another flavor of wrong… Literally every pass (and we did the combination at least four times each way) was a new, unique, and different kind of more-or-less entirely incorrect.

Yeah, I got a bit frustrated, there. Like, seriously, for once in my life, when Modern T said, “Do you want to do it again, or are you guys done?” I was the one who said, “I’m done.” (And then did it twice more anyway.)

But, at any rate, I learned a valuable lesson about how I absorb choreography (and, um, knowing is half the battle, I guess?).

Okay!

Moving right along.

Some thoughts I’ve been kicking around with G+ friends have led me to reflect on my eating patterns, and I’ve realized that I eat quite differently for a strongly dance-based lifestyle than I did when I was training for bike racing.

I’m not at all sure I’m Doin’ It Rite™, but — at any rate — I’ve noticed that dancing doesn’t seem to make me as hungry as cycling (I think I’ve touched on this before) and that my “fueling” strategy is quite a bit higher in carbs than it was for cycling.

Some of this, of course, is sheer disorganization. I have not adapted amazingly well to my current schedule, which often involves dance classes in the morning, a brief break in the afternoon, and aerials or more dance classes in the evening.

Basically, I am not good at changing gears, and thus am not the kind of person who can get much done in the gap — so I do less cooking than I should and more, well, scavenging for anything quick, basically.

I have at least finally managed to mostly get on top of breakfast, for the most part. Breakfast is usually ~113 grams of plain Greek yoghurt, ~70 grams of unsweetened frozen berries (I happen to particularly like the blends that include cherries), and 25 – 30 grams of whatever kind of not-super-sugary granola looks promising.

If this sounds astonishingly precise for me, I promise, it’s really a function of the fact that it’s easier to scoop yoghurt out with a spatula, weigh it, and hit “tare” a few more times as more things are added than it is to shove it into a measuring cup, then transfer it into a bowl or whatevs.

I also have fancy yoghurt bowls that keep the crunchy stuff separate until you’re ready to eat. Using frozen berries means I have to make the yoghurt parfaits ahead of time, which saves me from having to fumble around with the kitchen scale in the morning.

On days that I fail to crawl out of the crypt bed in time to actually eat like an adult (or at least a toddler), I still tend to desperately chug protein shakes on the way to class. For such emergencies, I use Orgain (Creamy Chocolate Fudge) because it’s low in sugar, decent in the fiber department, tastes okay, and isn’t horribly expensive. My base of choice is unsweetened almond milk, but it’s perfectly good with regular milk. I usually add coffee concentrate and a touch of vanilla extract, but it’s acceptable without.

*There is also a fine line between just enough breakfast and too freaking much breakfast, OMG, please stop the sloshing, but I really prefer not to think about the far side of that line. I’d rather err on the side of caution — ’tis better to feel puny in class than pukey.

Dinner is frequently some species of pasta — I’m particularly fond of ziti and penne rigate — because I can make that ahead in huge batches and reheat it later. My sauce of choice comprises an “Italian seasoned” tomato paste, a ton of diced tomatoes (usually canned, because laziness), basil, oregano, garlic, onions (sauteed in a little olive oil and red wine), sometimes mushrooms, and either meatballs (sometimes frozen, sometimes turkey) or sausages.

This makes it sound like I plan better than I do.

If I were really any good at planning, there would be far fewer nights on which we eat dinner at 9 PM when I’ve arrived home at 7:45 :/

Interestingly, I almost never ate pasta when I was racing bikes (except when I was intentionally carb-loading). Training rides tended to make me insanely hungry and I would just go crazy with the pasta; I generally substituted raw cabbage for the actual noodles (the sauce heats the cabbage just enough to be crisp-tender, which is awesome).

I’m much better, now, at figuring out when I’m full, so I actually do eat pasta. I still often add either raw cabbage or raw baby spinach, though (because veggies ftw).

In the past, my breakfasts were also generally lower in carbs than they are now.

Meanwhile, lunch is just a horrible, ongoing, unmitigated disaster of food-on-the-fly right now. How desperate my choices are depends upon how well I’ve walked that fine line between just enough breakfast and way the hell too little breakfast*.

I am not too proud to admit that I lunch has recently featured such stellar choices as a fried chicken sandwich, half a Whopper (apparently, I can’t eat an entire Whopper), or pizza from a gas station’s convenience store.

This doesn’t really seem to be making any impact on my baseline health statistics (if anything, it’s the only thing stopping my blood pressure moving from “low” to “undetectable”), but it probably does significantly impact my ability to not be a horrible, face-eating hypoglycemia monster by the time my evening classes roll around.

So basically, in summary:

When I raced bikes I was hungry all the time, limited my carbs, and was much better at lunch.

Now, my appetite is more manageable even though I burn roughly the same number of calories on any given day (if not more, because I have more upper-body muscle than I used to — so, seriously, wtf), I eat pasta like it’s going out of style, and I am terrible at lunch.

The next step, then, is to figure out how to eat lunch on the fly without spending a gajillion dollars. I mean, obviously, I know how to eat lunch (open mouth, insert foot food), but the question is how to plan ahead and make food to bring with me (because apparently it’s not super safe to just leave a giant bowl of pasta in your car and assume it’ll be nice and hot by the time you get out of class…).

So that’s today’s installment. Not incredibly informative to anyone who isn’t me, I’ll wager, but it has helped me identify a “next step” I wasn’t thinking about (that is, how to handle lunch).

Pilobolus Master Class All Up In My Drawers

 

…Wait, what?

Kids, this is why punctuation is important. That should read:

Pilobolus Master Class; All Up In My Drawers

First: Pilobolus Master Class!

You guys, it was so great.

I feel like I learned a great deal about the process of creating dances through improv, and it was cool to dance in an environment where technique wasn’t even a thing. The guys from Pilobolus basically said, “We love dancers and we love dance technique, but if you’re someone who spends hours every day in class, please check your technique at the door.” As someone who loves technique but can get a bit too invested in it, that idea was very freeing.

I am a horrible person, and have forgotten the names of our ambassadors of Pilobolus, but they were both very cool guys and very good teachers — though this process was as much one of bringing out what’s already there as one of teaching. The teaching part was more about figuring out how to use what’s already there.

I must admit that I went into it a bit worried that I’d be all stiff and horrible because…

OMG STRANGERZ!!!11!!!1one1oneomgwtfbbq

…But apparently I overlooked the part where, like, you know, dancing? …When I was worrying about that.

If dance is involved, I seem to do relatively okay in groups of new people.

At the end of class, we broke into three groups and created three short (about 4 minutes) dances in the span of about five minutes, performed them, critiqued them, refined them over another two (two!) minutes, then performed them again.

All three dances were completely different, and all three of them were cool, but one (not my group’s; ours was silly) was really stirring and moving. I hope some of the dancers will take it and run with it, because it was really, really good.

I feel like I want to let this whole experience percolate a bit more, then write about it at greater length. It was, in short, just an amazing two-ish hours (happily, we ran over the original 1.5-hour class time).

It turns out that Pilobolus holds a 3-week summer workshop series (in Connecticut, yay!). I’m going to have to seriously consider whether I can figure out how to afford at least one week this year. Curiously, the name of the third workshop, Vision & Revision, was also the name of my favorite writing class when I was in high school.

Serendipity, much?

 

And Now: All Up In My Drawers!

I did manage to make it to IKEA afterwards.

My one real goal was to acquire a second Big Blue Bag, which will greatly improve my laundry system. Heretofore, I’ve been using one Big Blue Bag and any of my various not-quite-as-ginormous shopping bags.

The second Big Blue Bag wasn’t essential, but it will make the system run more smoothly, since now I’ll have two dedicated laundry bags of the same size.

While cruising through the store (you guys, it is so nice to walk through an IKEA all alone), however, I found something even better: specifically, Drawerganizers(TM).

Since keeping tights and so forth corralled is a fairly regular topic of conversation among dancers and aerialists in my life, I thought I’d share the current iteration of my system, which mostly comprises hair elastics, a plastic crate, and IKEA’s set of 6 Skubb boxes. (Sadly, the Cincy IKEA didn’t have the aqua ones in stock.)

I’ve been meaning to implement a boxes-in-the-drawers system for a while, but hadn’t found Drawerganizers that worked for me (shoeboxes would have been fine, probably, but we didn’t have any). The Skubb series works really nicely, and I couldn’t argue with the price — something like $8 for the set — or the portability factor. The boxes fold up rather ingeniously; when you set them up, little zippers in the floor panels add tension that keeps them in shape.

So, here’s how things are organized now:

image

First Floor: Cycling Apparel, Men’s Shirts, and The Occasional Sarong

Bottom Drawer (technically the second drawer from the bottom; the real bottom drawer houses bed linens): this one’s full of bike kit, a few pairs of shorts, and a bunch of t-shirts that I should probably donate, since I don’t wear them enough.

Bike kit used to share the dance clothes drawer (which was the Bike Kit Drawer until I had too much bike kit to keep it all in one drawer), but then the dance kit kind of took over. Anyway, I’ve used the two medium-sized Skubb boxes to contain bike kit.

Overflow bike kit lives in a vertical organizer in the guest room closet, because I am apparently unusually sentimental about my Cabal jerseys, even the ones I don’t wear very often.

And, yes, there’s even a sarong in there, though I don’t think you can see it in this shot.

Next time I’m at IKEA, I’ll pick up a couple more Skubb boxes to corral the things that are still roaming free.

image

Second Floor: Dance Apparel, Fuzzy Socks, and Thermal Tights*

Top Drawer: Dance kit and almost nothing else.

Until recently, I’ve alternated between folding and rolling my tights, and found that neither really prevents everything from coming undone when I’m digging for that one pair with the pictures of mountains on it or whatevs.

The other day, I hit on the solution of buying a package of brightly-colored hair ties to keep them contained. It works brilliantly.

In combination with the hair ties, the Skubb boxes keep things corralled and controlled. No more tights rolling into the base-layer section; no more dance belts hiding under legwarmers (right now, for decency’s sake, they’re hiding under a pair of socks instead).

Things that didn’t really fit anywhere else take up the extra space in the drawer in front of the Skubbs.

image

Rooftop Terrace: Aerial Apparel, Clutter, and Mayhem

On Top Of Ol’ Dresser: Denis’ tights live here, along with our white-noise machine (which is really an air purifier), a photo from our wedding, and a terrifying doll that predates my tenure in this establishment. There are also some foam panels that insulate our air-con when it’s installed, but right now it’s still on vacation.

I found the plastic basket at a place called Five Below, but you can find similar ones just about anywhere.

The fact that Denis has his own tights-basket means he no longer asks me where his tights are (when they’re right freaking there!) or roots through my dance-kit drawer, leaving chaos in his wake. Seriously, the man is like a water buffalo sloshing around in a pond when he gets in there.

My married peeps (and anyone with kids or particularly egregious housemates; similar things can happen in kitchen drawers) will understand how this helps keep me out of prison.

image

La Pièce de Resistance

A cheap keychain-grade carabiner slipped through a convenient opening in the “weave” of the basket holds the hair elastics that aren’t currently in use. I’ve oriented it so the gate can be operated without removing the whole carabiner: you just slide a band up to the top, open the gate, and the band comes right out. The process for replacing one is similarly painless.

I had to think long and hard about how to implement this bit, because my husband is a lazy slob (and will happily tell you so himself). The idea is to make it so freaking easy to put the bands back that it’s basically easier than not bothering.

You guys, I seriously believe in the power of harnessing the path of least resistance. Remember, when (ahem) shaping (ahem) the behavior of spouses, appealing to the natural laziness of the human animal will save you many headaches.

So, there you have it. A tour of how things are staying organized all up in my drawers (dancers be like, “Wait, isn’t that what dance belts are for?” :V).

…And, now, on to the rest of the house.

*gulp*

 

 

 

*So organize. Very boxes. Wow.