Bit by itty-bitty bit, I seem to be resuming my life as a dancer.
Not, of course, in the sense of going out and dancing with other people in the studio. Rather, in the sense of finally taking class via Zoom (with a fantastic teacher, Johnny Zhong) on a regular basis … or, at least, I’ve hauled my butt to class twice this week.
Continuing to take class no longer seems like something that’s going to be a struggle against the tides of depression and exhaustion that have beseiged me for however many weeks.
Not that they’re, like, gone … but on Monday this week I hauled myself out of my Personal Doldrums and made myself take an actual class with an actual teacher who could actually see what I’m doing and correct things and (amazingly) tell me when I did something well. And then today I took his class again. And now taking class twice next week seems like given.
(Given the enormous lapse between my last real class and the first one this week, I wasn’t expecting to do anything well.)
Anyway, it took me a long time to get to this point.
I don’t really understand why, but I’m not sure the “why” is really important. I could spend the rest of my life unpicking every single variable that led me to hole up inside myself for, like, two months.
I’ve thought about it, and I’ll think about it again: but now I’m just relieved and grateful.
Grateful for the class.
Grateful for the fact that my body is apparently rather good at putting itself back together.
Grateful especially to my friend SF (if you’re reading this, hi!), who lovingly badgered me into taking JZ’s class, and thereby has probably saved my life, or at least my career … chapeau, girlfriend.
So although I’m still … not okay, I guess, though less not okay than I was a few weeks ago, when I felt like the dark waters of my own internal whatever might finally close over my head and bear me down into their depths … I’m getting there.
I’m not saying, “I’m getting better,” because then I’ll be pissed at myself if I don’t live up to that phrase.
Everything’s back and forth, here and there, ebb and flow. I’m going to have difficult days: we’re all going to have difficult days, always, but especially now in the midst of this novel uncertainty.
But, still, I feel right now like I’ve at least managed to grab a passing bit of flotsam and I’m not fighting so hard to keep my head above water.
Some of that has come with the realization that, although the precipitous and early end of our season torpedoed the twice-weekly unofficial partnering class I was doing with a friend of mine in the company (and everything else), I have an opportunity to really work on becoming a stronger dancer right now.
Working in a less-than-ideal setting* forces me to really focus on the deepest and most essential aspects of technique–holding the core; feeling the turnout; keeping the body together. (Conveniently, JZ’s approach to teaching focuses closely on all of those things.)
*a basement with 7 foot/2.13m ceilings and very freaking hard floors
covered with foam puzzle mats** that make turning a major
**I just put in some new portable dance flooring today. Still hard, so I’ll
be confining jumps to the puzzle mats, but better than it was.
I will be a stronger dancer next season because of the time I’m spending alone(ish) in my basement now.
That doesn’t to any extent reduce the tragedy that has arisen from some breathtakingly poor policy decisions that have led to far, far more death and suffering than was necessary in this crisis (in many countries, but especially in mine).
It doesn’t change the fact that we no longer have a clear sense of what to expect from the future (not that we ever do, but under normal circumstances, we can at least use the standard operating procedures of daily life to infer a kind of baseline normality).
It just means that maybe I, individually, am at the end of one chapter in this unexpected story and at the beginning of another (notwithstanding the utterly imaginary nature of such divisions in the first place ^-^).
I’m planning to post a list of good live video classes, and I’m working on a choreographic project specific to the current quarantine that I’m hoping to post in the next week or so.
For now, stay safe, and keep dancing ❤
Oh, and here’s a pic from last summer, just because:
Right now, I think it’s fairly safe to say that we’re all a bit lost in the woods; a little at sea.
Like, all of us. The whole planet.
We didn’t really know this thing was coming, and now it’s here.
You can prepare all you like for the possibility of some global … I guess disaster is the word; it’s not the word I want, but it’s the only one that to mind. It’s a slow-moving disaster, I guess.
Anyway, you can prepare all you like, but the reality of living in it—the experience of living in it—can’t be anticipated. You can have all the stuff you need to survive and enough to help your neighbors survive, but even that can’t mitigate the shock of the sudden and utter shift, the change when the thing finally comes.
We are, whether we realize it or not, creatures of habit. When we suddenly find ourselves obliged to upend the entire normal course of our days, we kind of derail a bit.
So that’s where I am: derailing a bit, but trying to learn how to drive my train without its track. Trying to figure out which way is up. Trying to orient towards the sun and get my feet under me.
You would think that as someone whose career is inherently cyclical, with long periods of down-time, I would be more okay with this than I am.
I certainly thought that. I was like, “Yeah, it sucks that our season is over early, and that we never got to do our closing show, but it’s only a month early, really, and we’re okay financially.”
But, really, I thrive on order and ritual, and apparently the ritual for changing gears into summer mode is the last show.
Likewise, “summer mode” usually means I still go to class. It’s easy for me to forget that the thing that keeps my brain on the level is the daily litany of movement. It’s a startling surprise to remember how easily and how quickly things begin to become unbalanced.
The first week of this, D and I were in the middle of finally replacing the Camry—originally with the Electric Jellybean, but since that didn’t work out (the battery wasn’t up to D’s commute), eventually with VW Jetta TDI. That made planning my days difficult for me, so I didn’t dive feet-first into the array of ballet classes available by streaming.
Between the mental stress of the Emerging New Normal and the lack of sufficient physical exercise, my sleep quality and quantity took a nosedive.
Because the rhythm of my day was just plain gone, I kept forgetting to take my Adderall. That meant my brain was … Less able to adjust, shall we say.
Over the past several days, I slowly realized that I was starting to slip, and that it was time to do something about it. I started taking a sleeping pill early each evening in hope of getting some solid sleep.
Last night, it finally worked. I slept until 9:30 today and woke up feeling … if not bright-eyed and bushy-tailed, at least, like, eyed and tailed. You know. Basically equipped to more or less function.
I remembered to make myself a cup of coffee: it’s become part of my morning ritual, and one that I enjoy. It helps my brain know that there’s a day happening and we’re going to go do the things. I remembered to take my Adderall.
I’m late getting started, but once I finish this coffee and this post I’m going to go take class … albeit, in my living room, and probably in socks. When I’m done with that, I’ll do my assignment for the company, because I’d like to still have a job when the current storm blows itself out.
I’m not going to sermonize or tell anyone how to handle this crisis. We’re all grieving, and grief is a deeply individual process.
Nor am I going to confidently assert that I’ve got this handled, now: I’ve only got this present moment handled, and if things start to derail again, I’m going to try to give myself in una poca de gracia, as the song says.
- The song, of course, is La Bamba, which arguably has nothing to do with any of this … Except doesn’t the line, “To dance the Bamba, it’s necessary to have a little grace,” rather beautifully describe how to cope with a sea-change like this one?
- Dancing, after all, is just falling and catching yourself, over and over, until it looks beautiful.
I’m going to remember the tools I’ve learned to use over the past few years. I’m going to:
- do two things
- grant myself grace
- take my Adderall
- and last, but not least, take class.
Going forward, I’m sure I’ll make some mistakes. That’s okay. We humans are makers of mistakes, but also makers of magic and music and beauty and art.
We’ll get through this, and we’ll find north again.
And until then, we’ll stay home and remember to wash our hands.
Oh, and since I wouldn’t be me without a little irreverent humor, here:
If you’ve been around long enough, you’ll know that I don’t write about current events that much. I figure there are enough people out there who are better at that than I am, and thus I mostly stick to writing about ballet.
But today I’ma write about Coronavirus … again.
I’m in a weird place with this thing. On the one hand, I’m healthy AF, young, and on the surface I look a lot like someone who could easily be walking around like, “Eh, I don’t need to worry about this that much.”
On the other hand, my respiratory system—which at the moment, knock wood, is only mildly annoyed about the horror that is tree pollen—is a gigantic baby that freaks out completely at the least possible provocation.
Like, I’ve had pneumonia five times.
I can’t even tell you how many times I’ve had bronchitis.
Ordinary ‘flu knocks me flat for 2 weeks, minimum (this is why I get flu shots, y’all … well, that and herd immunity).
And every novel respiratory illness that comes down the pike carries with it the potential for serious career setbacks or worse.
I’m not a chronically ill person who *feels* sick most of the time. I’m a chronically ill person person who feels great most of the time, with occasional bouts of shattering illmess, some of which are terrifying.
So right now I’m walking around in the world (or, well, in my house, mostly) with part of my brain not even really thinking about this whole COVID-19 sitch, and another part occasionally going, “F**k, what if someone brings it to D’s work?”
D, btw, works in healthcare. He’s a physio, but currently works in a nursing and rehab facility, so there’s a real chance that such a thing could happen.
This doesn’t mean that I’m constantly panicking, or indeed panicking at all. Panicking won’t help. But it does mean that I’m using a lot of energy talking to my brain, trying to remind it that we have plans and stuff for things like this. That sometimes bad things happen no matter how well you plan, and that we need to stay rooted in the here and now because panicking now won’t help if something does happen.
And though it’s mostly working, my head is still in a weird place sometimes.
Anyway, life is uncertain, and the only constant is change. I’m not the best at actually practicing Zen, but I do find that even if the tools are a little rusty because you keep forgetting to actually use them, they’re still there in the garden shed when you need them, and rusty tools are better than none.
So, anyway, that helps with the cognitive dissonance a bit, as does giving myself room to feel uncomfortable.
Such is the weirdness of this mental place that it’s very hard to write about.
Also, I’m super tired, so I’m going to close here for now.
Oh: we also bought an electric jellybean—I mean, a Nissan Leaf 😊 It’s actually quite lovely and the interior is very roomy (you could fit about 5 dancers in it and still have room for a large dog behind the rear seat). I quite like it. This one’s a 2013, so the range is pretty decent. D plans to use it as his main commuter, since he works close enough to be well in range and can charge it at work. It’s a cute little car and comfortable to ride in.
So, given the fact that you’re on the internets, chances are that you’ve heard about this whole COVID-19 thing.
Resource hoarding aside (I’m looking you, single dude who lives alone and who just bought 17 cases of toilet paper), the United States actually sense to be doing a sensible, public-spirited thing and closing a lot of things down for a bit in an attempt to reduce transmission of the virus.
And I’m all for that, but at the same time it’s kind of weird and surreal.
The company’s off for the next couple of weeks, and we have no idea what’s going to happen with our last show of the season right now (Cancelled? Postponed? Performed via livestream, in HAZMAT suits?).
We did class this morning and didn’t rehearse. Starting tomorrow, we’re technically on hiatus, though we’re trying to find out if we’ll have access to the studio so we can do class together.
I genuinely had never imagined this particular outcome. It’s a weird place to be. Not bad: just weird.
I guess we’ll figure it out, going forward, a bit at a time.
Meanwhile, my teaching job is moving to an online format that’s going to be … Interesting. I’m not at all certain how I’m going to make that work, given that my house is not danceable and my data plan is utter crap. But I’ll figure something out, anyway … If we have wifi at the studio, maybe they’ll let us look in and use it for streaming.
So that’s where we are in mid-March, 2020. Things are up in the air.
My class notes today were, in short:
- Turns in 2nd: really snap that second shoulder around
- “Always finish grand allegro with a double tour, if you can” (Not sure how practicable that is, but I like the audacity of it 😁)
- Don’t create extra work for yourself
That last one pertains to a couple of things I’m working on: first, unnecessary accessory movements that require additional adjustments to balance, placement, etc; second, keeping things engaged in the right ways so the body moves as efficiently as possible.
Not rocket surgery, but worth contemplating from time to time.
Lastly, (I think) I’m done setting the choreography for “January Thaw,” so I’m planning to start polishing it next week, and I’ve started work on a new piece that I’m developing through choreographic improvisation as well.
The new piece is longer (almost 6 minutes) and a bit more complex in terms of both mechanics and artistry, and I plan to take advantage of the extra time in my schedule to really crack away at it.
I don’t have a title for it yet, but the music is Chopin again. I’ve got some rather decent video from last night, so I’ll post that sometime soon.