Blog Archives

I’m Not Throwing Away My Shot

(Full Disclosure: I still haven’t seen Hamilton. I know. I suck.)

… Because I can’t, because it’s already in my arm.

The rollout of COVID-19 vaccinations has been interesting. Connecticut, where my parents live, has it ticking over like clockwork. Indiana (the state next door) is doing … something? Idk. It seems more chaotic than what we’re doing.

And here, in Kentucky, we seem to be figuring it out bit by bit.

A decision was made recently to open up vaccinations for teachers & volunteers who work with K-12 students, which is how I wound up getting called up for a shot. At least, I assume that’s why they sent me an email saying, “Ayyyyyyyyy! Come get your shot!”

I mean, not in those exact words.

The actual process of setting up an appointment was pretty simple—really, the hardest part was figuring out where in my wallet I’d stashed my insurance card.

As for the process of actually getting the vaccine, it was smooth & efficient. They’re using Broadbent Arena, part of our Fairgrounds & Expo Center. You drive in and drive right through (pausing at appropriate points) and never even get out of your car (there are other options for people who don’t drive or who don’t have have access to cars, also).

Because it was A New Situation, my brain was a little spooked about it, but the protocols were extremely clear (except for the unexpected sign near the entrance to the fairgrounds that read COVID TESTING USE GATE 1 ONLY and didn’t mention vaccinations at all—but since my email told me which gate to use, I kept breathing and proceeded as planned).

This is really helpful for neurodiverse people. If we know what the procedure is, it’s much less difficult to go do the thing. I appreciated that—and the fact that, in the course of two days, I got like five emails about my appointment so I would be able to find the confirmation code no matter what). Normally, that might seem a bit excessive, but in this case it was helpful and comforting.

I got the Pfizer vaccine, which is the same one D got. It’s a good week for it—we don’t have men’s technique class on Saturday, if I wind up feeling meh and staying home I’ll just miss normal class.

Because my wildly overreactive respiratory system places me at pretty high risk of being seriously ill if I did catch COVID-19, knowing that my first vaccination is behind me and the second is scheduled is a major relief. Obviously I’m not going to go turn cartwheels in Walmart without a mask, but with things like summer intensives and workshops on the way, it’s good to have that pinned down.

In ballet news, I’ve been taking a good, extremely detail-oriented Zoom class with Devi Piper on Wednesdays. The opportunity to really pick my technique apart and refine key elements is immensely valuable.

Today she gave us a killer plié that I’ll be using on the regs when I’m warming up to work on choreography or whatever.

A lot of really cool stuff has been happening in my life as a dancer of late—stuff that makes me feel awed at the way people reach out to guide developing dancers as we progress and grateful beyond measure for it.

In a week, I’ll be seven years into my resurrected ballet life. When I launched myself on this journey, I definitely carried a sliver of hope that maybe I’d find a way to make a life of of it, but it was so precious and fragile a hope that I rarely dared even to think about it.

Every single day, I’m staggered by this sense of immense privilege (not in the political sense, though there’s that, too—as a male ballet dancer, that’s a huge thing). To have somehow built a life in which I’m valued as a dancer and as a teacher and, increasingly, as a choreographer is something that, in all honesty, I couldn’t have imagined seven years ago.

The hope I had was that I might find a place to fit as a corps boy for a while. I was perfectly fine with the idea of just being a semi-anonymous body of it meant I got to really dance.

I seem to have found, instead, a place where I fit as someone who actually gets to do complex, visible roles. I’m probably never going to find myself in one of the big, world-famous companies, or even one of the ones that are more broadly known on a national scale, but that’s fine. I don’t care about things like that. I still just want to dance (and to make dances, and to teach dancers).

The biggest change, though, isn’t feeling that others value me as a dancer, as a teacher, and as a choreographer. It that I’m beginning to feel worthy of that esteem. That I’m beginning to value myself as a dancer, a teacher, and a choreographer—and, really, as an artist.

I owe a good part of that to the people who’ve gone out of their way to coach me; to suggest that I come take class; to draw me out of my own sense of inadequacy. To show me my strengths.

I also owe some of it to my students, who show up and focus and work hard even when I give them the world’s hardest[1] rond de jambe every week for six months.

  1. I mean—it’s not the hardest, hardest. In terms of technique, it’s really pretty basic—but the musicality is tricky and central to the exercise, and requires them to listen to the music and dance instead of just being like, “Yawn, barre work is boring.” Which is kind of the point.

I owe yet another part of it to the friends who jump right in whenever I say, “Erm, ah, ssssssoooo, ahhhh, would you like to work on a choreography project I’ve been thinking about?” Or, at any rate, try to jump right in, given how challenging it can be there schedule things even when there’s not a global pandemic 😅

But some small part of it I owe to myself. I came to the ballet studio and found the place where I simply know how to work. And then I started doing the work, and I started looking for opportunities and taking calculated risks. And when the chance came to dance full-time, I took that leap, even though it was honestly pretty scary.

And even though I wasn’t sure I was someone who would ever be good at sticking with anything that didn’t have a finite term, i stuck with it—though honestly that’s really a bit like saying like saying, “The water decided to continue flowing downhill.” It’s honestly the path of least resistance. Quitting would be harder than continuing.

So, anyway.

I don’t know where life will take me (I mean: really, nobody does). But I’m no longer afraid that I’ll never find anything that feels like a suitable path.

The periods of mindfulness, of being present in the present, afforded by the work I do—most specifically, taking class and creating choreography—have also been healing in ways I never expected.

I literally never imagined that my brain would ever be as, well, relatively stable as it is now, for one thing. I mean, don’t get me wrong—I’m not saying ballet is The Cure, or even The Treatment, for unstable moods for everyone who experiences them. But, for me, it’s a huge piece of the puzzle.

Likewise, dancing has forced me to engage with both my present and my past more deeply than I ever imagined being able to do. My first Pilobolus SI stands as a watershed: something about that experience broke the seal I’d placed over deep, deep wells of feeling—both beautiful and painful.

There are still plenty of things in my past I’ve never directly dewalt with by the conventional means of talking about them—but somehow, when I dance, sometimes I dance about them without realizing that it’s happening.

Only later do I find that somehow, in the midst of wrestling with choreography, some old and festering wound has been cracked open and washed clean so healing can begin. It doesn’t mean the healing is complete, but it means that healing I long thought impossible has begun.

Anyway. Speaking of long, this is getting really long, and it’s the middle of the night, and Merkah would greatly appreciate it if I’d go to sleep. So I guess I’ll close here.

I don’t know how to end this except to add:

If you’re reading this, I’m also grateful to you.

Often, part of growing into a thing is talking about it. For some reason, I find that easier to do here than in a private journal (largely because I’m terrible at actually keeping up with a private journal, since it doesn’t occur to me to put things into words unless I’m talking/writing to someone else).

So you, too, have been essential in this journey.

So: thank you. And I’ll try to include some pictures in the next post 😁

On Anger

I don’t think I’m someone that most people would describe as an angry person, mainly because I work my butt off to contain myself when I’m angry about things that don’t really call for anger.

But, in fact, I think of myself as an angry person.

I’m angry a lot.

Part of me feels entirely justified: like, there’s a lot of injustice and stuff in the world, and also a lot of people just being jerks.

While it might not always be effective, anger about “injustice and stuff” seems, well, justified. What matters in that realm is what you do with that anger. Just like you can harness the power of anger to make yourself actually do double tours, you can harness the power of anger to help power you in the ongoing struggle for justice.

And getting angry (or at least annoyed) when people are jerks is kind of human nature. You have to learn how to manage it, of course, but I’m pretty sure even the Dalai Lama occasionally feels at least a little irritated by the actions of his almost-eight billion siblings in this life. Even the Buddha and Jesus got angry now and again, and the Hebrew scriptures of full of good people (and not-so-good people) who get angry at each-other and even at G-d [2].

  1. I mean, one of the ways to translate the name “Israel” is “wrestles with G-d,” and Judaism allows, and sometimes even encourages, us to have it out with the Being Upstairs.

So this isn’t a screed against anger.

Anger Happens.

Anger has its place, and usually when we try to Just Not Be Angry, what we actually wind up doing is Being Angry Anyway But Bottling It. And when we say “we,” I mean “I.”

I’m hoping your upbringing and experiences have taught you healthier habits–but, if I’m honest, looking at the way most of us act behind the wheel of a car, I’m probably not alone, here.

Strangely, when you bottle something that can be produced in almost limitless supply, you tend to wind up with a lot of it. Ask anyone who’s ever been to Burning Man[3] or had to spend a day or two without a toilet while plumbing repairs happened . Pee Jars proliferate in the dark like some kind of invasive life-form.

  1. It can be hella cold in the desert at night, and if you don’t want to don fifty-seven layers to sprint to the nearest Portos, a Pee Jar is your very best friend.

Likewise, just as it’s a bad idea to repurpose an empty one-gallon cranberry juice jug[4] as a Pee Jar, it’s a bad idea to construct within one’s being a vast reservoir for the storage of anger. Because it’s large, you can procrastinate for much longer before doing the necessary work to empty it. Because you can procrastinate for much longer before emptying it, it’s very likely that when you do, you’ll find that the contents have been magically concentrated into a vile stew of immense potency.

  1. What do you mean, “That reference seems oddly specific,” eh, buddy?

So I am, on the inside, part being attempting to learn to live with lovingkindness and part gigantic bottle of acidic stank.

But that, in fact, also isn’t what I’m reaching for (or, well … except when it’s time to empty the jar, I guess: now, where did I put my chem-lab respirator…).

Instead, what I’m reaching for is something I know I’ve written about before, but which bears revisiting. And it’s this:

When I think I’m angry, I’m usually just afraid.

Fear Is Under-Rated

You’ve probably heard my argument about how laziness is, in fact, an extremely valuable asset in terms of the long-term survival of a species (perhaps ours most of all, since it gives birth to at least as much innovation and creativity as does its dour-faced sister, Necessity, and the ability to invent–that is, to adapt–is our stock-in-trade).

Well, here’s another one: fear is also an extremely valuable asset.

In fact, I would argue that it’s a much more important one than laziness. Sure, it seems reasonable to assume that our moderately-lazy ancestors likely got a bit of a Darwinian boost by conserving their calories and putting them to use when it really mattered … but our moderately-fearful ancestors probably had a huge boost.

Like, honestly? As much as we tend to worship this ideal of fearlessness, really fearless people are excellent at getting themselves killed early in life.

And, of course, dying early in life somewhat limits one’s chances at contributing generously to the overall gene pool.

So not only does a healthy dose of fear help us stay alive, but when we treat fear with respect, we’re respecting a great gift that our ancestors gave us.

So, like, fear can be a great, great thing. Obviously, you can have too much of it–when it prevents you from living your life, that’s roughly as problematic as the all-too-common end result of having too little fear and dying in some stupid way because your nervous system didn’t bother to say, “HEY! This is stupid, and not how we should die. Could we maybe rethink this plan?”

But, on the balance, fear is a helpful gift.

So, then, what (you might by now, quite reasonably, be wondering) exactly is the problem here?

The Problem With Fear (and with Anger)

The problem, for me, is threefold.

First, by nature, I’m a bit of a bad ancestor. As much as I’d like something more impressive, if I had to choose a heraldic motto for myself, it would probably be best to use, “Quod citius ad me, ut per me stultior.”[5]

  1. My Latin is very much limited to the sphere of sacred-music latin, so that’s Google Translate Latin for, “The faster I go, the dumber I get.” If something is incorrectly declined, blame Google. Caveat emptor, etc.

I am the kind of person who has, thus far, avoided major injury by a combination of genes that make me naturally suited for fast-moving, dangerous feats and no small measure of sheer dumb luck. It doesn’t matter how good a skier you are when some other jackwagon careens into you at the speed of sound, after all, and skill and good reflexes can only account for so much, and I’m pretty sure the Divine Intelligence of the Universe isn’t really in the business of pulling morons like myself out of fires that we have ourselves first constructed and lit. At least, not most of the time.

Second, my childhood taught me to be afraid of the wrong things. So, in addition to being what you might call your typical high-adventure-tolerance hyperactive/impulsive ADHDer, I was conditioned to disregard any misgivings my brain might actually bother to produce with regard to most kinds of physical danger, but also conditioned to be completely freaked the feck out by emotional vulnerability. I didn’t even have the example of an early childhood in which fear was met with compassion and comfort–neither of my parents had the wherewithal for that, back then.

So–and this brings us to our third point–I learned to transfigure fear.

And, of course, the easiest thing to turn fear into is … you guessed it.


At The Bottom Of Anger, There’s Usually Fear

While finally catching up on housework, I’ve been binge-watching Call The Midwife. It’s one of the rare non-documentary series that I can really enjoy: the characters act like actual people, instead of drama-flogging wackos in the worst kind of middle-school fanfic.

Anyway, I’m on series 2, and yesterday saw an episode in which fiercely-independent twins Meg and Maeve lock horns with our friends from Nonnatus House. At one point, one of the Nonnatans says something like, “At the bottom of anger, there’s usually fear,” or something equally wise.

And that, in turn, might have primed me to recognize that fear was at the root of an episode of anger I experienced while driving to class tonight.

I make no bones about the fact that I deeply dislike the way people drive where I currently live. What looks like normal driving to people here looks, to me, like reckless (though sadly not wreckless) disregard for safe following distance, and indeed for the laws of physics. Where I grew up, we have this thing called winter, and even though we’re pretty decent at clearing roads, learning to walk, and then bike, and then drive on snow and ice imparts a healthy repect for leaving some frickin’ space, ya turkey.

So there I was, driving to class, getting angrier and angrier because, well, people were driving like they always do (except when it rains, in which case they drive at the same speeds and, well, lack-of-distances, but as if they’ve never been behind the wheel before in their lives and have indeed just now awakened unexpectedly at the helm of this incomprehensible four-wheeled Death Buggy).

But OF COURSE I was angry, right? THEY were behaving stupidly and recklessly and risking their lives and each-others’ and mine for NO GOOD REASON, and MY ANGER WAS COMPLETELY ABOUT THAT because that kind of behavior is STUPID and SELFISH and UNJUST and–

And then I pulled into the studio’s parking lot.

And then I spent 90 minutes dancing in my own little box, with my mask on, and not thinking about it because if you can think about anything else in ballet class, you either need a day off or a better class (and this was a very good class) or, possibly, you’re on week 3 of Nutcracker and your brain is just DONE.

And when, at least, I found myself back in my Ballet Wagon, I was swamped by a sudden resurgence of Automotive Anger[6].

  1. I’m defining this separately from Road Rage, since Road Rage is usually used to describe behaviors directed at other road-users, and my Automotive Anger often takes the form of unexpressed interior seething.

Sometimes at moments like that, I automatically talk to myself out loud, because my mental translation software does better with abstract stuff (like feelings) if I either write it out or speak aloud. This is one of the sticking points of being a non-verbal thinker: language was practically invented for abstract stuff that’s hard to parse through sensory imagination and the experiential states we call emotions.

At some point in this conversation, I said, “Yeah, but I don’t want to get back on the highway but taking surface streets takes longer and I just want to get home.” And then I asked myself, “Why don’t you want to take the highway?” and I answered, “It’s too stressful,” and I asked, “Why is it stressful?” and before I could say “Because people are jackwagons and I can’t effing stand it” some dusty long-forgotten neuron tucked away in a disused corner of my brain fired all of its guns at once and, rather than exploding into space, shot me the unadulterated message:


Which … honestly?

It took me by surprise, and made me uncomfortable.

But then another part of my brain, the one that’s usually a smart-aleck about any kind of fear, was basically like, “No, that actually makes sense. Like, the way people drive is dangerous and beyond our control.”

Regarding which: wow. Apparently even my inner stupid jackwagon can learn.

A bit of fear about the way people is a good thing. At least, it is if you use it right: if you say, “Hi, Fear! Thanks for looking out for me! Let’s practice some mindful defensive driving so we can stay fairly far from other drivers as much as possible and be prepared just in case they do anything dumb.”

I took the highway home.

People still disregarded the laws of physics, but I expected that and knew I couldn’t change it. Somehow, that made a world of difference. I didn’t have to unconsciously transmute my nervous system’s life-sustaining concern over the dangers implicit in lots of common driving habits into anger in order to feel less vulnerable, or whatever my misguided unconscious habits are trying to do. I just had to drive my own car as responsibly as possible.

It didn’t mean that there wasn’t some stress involved, just that the stress was much easier to cope with without white-hot anger getting in the way.

Okay, But … So … Now What?

When I got home, it somehow occurred to me that maybe it’s time to start examining some of my other anger.

Like, I feel like most of the time I’m just one spark away from a conflagration[7].

  1. Add to this the neurologically-mediated autistic meltdowns that happen much less often but do, in fact, still happen these days, and I sound like a walking disaster. I’m kind of surprised I’m not worse off than I am.

If I lived in a different set of circumstances and had a different set of experiences, I suspect the outcome of that reality could easily be rather more unpleasant. If I hadn’t had a big sister to kick my butt and teach me that blowing up at people tends to result in getting one’s ass handed to one, as it were, they could be a lot more unpleasant.

But even as it stands, I walk around in a high-arousal state a lot, and I feel angry a lot, and I can be short-tempered in ways that almost always seem justified in the moment because my brain is great at deciding that it has good reason to be angry about … whatever. Right now, I’m really glad I was explicitly taught to assume all service-industry workers are doing their best under immensely trying circumstances (which is generally true) and that the customer is NOT always right, or I would almost certainly be such a huge ass all the time o_O

But, um. anyway. It occurred to me that maybe it’s possible to work on this after all. That maybe I’ll be able to work on mitigating some of the damage left by serious traumas and by, well, life. Maybe I’ll always be a bit more keyed-up and hypervigilant than I might’ve been if some really bad things hadn’t happened to me, but I can cope with that.

The past several years have, for me, been immensely healing. I’ve learned to trust in ways I never imagined; I’ve begun to re-examine the fabric of memory (endless thanks to Pilobolus SI, which really kickstarted that process); I’ve found, in the rubble of a life firebombed by circumstance, the tender shoot of a forgotten love that has become a passion, a career, and a home.

Still, I never imagined I would someday entertain the thought that I might also, just maybe, find a way to ratchet down the generalized wariness that leads, too often, to feeling like I’m living a kind of embattled life.

I don’t expect any of this to come quickly. Hell, I don’t expect it to come at all. If all that ever comes out of this moment of clarity is, well, this moment, that’s still an immeasurable good.

But I think if I can do this once, I can probably do it more than once.


It’s worth a shot.

PS: It’s NACHMO time again! I can’t believe it!

Oh, BTW, I Got Interviewed!

I’m pretty sure that in my surprisingly-intense anxiety about trying to teach a partnering class via Zoom, I forgot to mention that Ambo Dance Theater‘s* Linsey Rae Gessner recently interviewed me for her new podcast series, Be The Flow, in which she and her guests reflect on “…the importance of ART and the role it plays on the community with the intention of unifying creativity through compassion and knowledge.”**

*yes, that is me front and center on Ambo’s header ^-^ It’s a still from “only weeds will rise in winter,” one of the first pieces I performed in, which examined the ways that poverty influences the lives of the people who experience it.
**from Be The Flow’s landing page

Amazingly, I sound like WAY less of an idiot than I would’ve expected, although my headset mic is adjusted … less than perfectly, shall we say, so I also sound a little fuzzy.

A close-up of the author's face wearing glasses and earphones with an attached microphone (which he has almost certainly adujusted incorrectly).
Pretty sure the problem isn’t so much the headset as me not actually knowing how to use the headset. *shrug*

But still! As someone who listens to podcasts a lot, it’s interesting to hear yourself on an actual podcast and to realize that, hey, you actually sound like a fairly competent person, LOL. (IF ONLY THEY KNEW, amirite? Hahaha…)

Anyway, here’s an embedded player if that sounds like it might float your boat:

And here’s a direct link in case you should feel inclined to check it out that way ^-^ You can also check out Linsey’s other interviews and follow her podcast on Spotify from there.

For some reason I didn’t include a link to this blog in my bio, so while I might not sound like an idiot, clearly I sometimes still am one ^-^’

Ballet Changes Us


Ballet does strange things to your body.
As a kid, I looked at my sister’s Barbie dolls’ feet and thought, “Nobody has feet like that.”
Now? I have them.


Then, there’s this. The weird little dip caused by hyperextending the ankle.
I first noticed it on David Hallberg’s beautiful legs. Since I basically didn’t have ankles, I concluded mine could never look like that. Now, they do.
Also, now I have ankles. And beautiful* legs. (*Sometimes!)


Here’s another thing.
The dip at the top of the thigh. Sometimes cyclists have it, but it’s endemic among dancers.
Even I have it now.
Along with inside-out knees.


Often, in the morning, I marvel at the architecture of my own feet,
with their marvelous bridges of sinew and bone.
This would all be so much navel-gazing, if it weren’t so hard-won.
For so long, I hated this body so much,
because it had betrayed me,
because it had failed me,
because it did not seem to be mine.


But ballet has a way of re-creating us in its own image…
…And, strangely enough, when I look at what it has made of this body, what I see — is, finally, myself.

Captions are up now!

You guys, I know this is super hard to read. I’m having captioning issues, so I’ll fix it in the morning.

À bientôt, mes amis!

<span>%d</span> bloggers like this: